F#maj9 guitar chord

1st inversion · A# in the bass

The standard grips this chord is usually shown with.

  • Tap a note to hear it
  • Arrows change position
  • Fingers, notes or intervals
  • Play the chord

About F#maj91st inversion

F#maj9 is F#, A#, C#, E# and G# F#maj7 with the ninth stacked above it.

It sounds a maj7 with more air in it. The ninth argues with nothing here, so it works anywhere a maj7 does.

Tonic — an extended resting chord.

F#maj9 1st inversion guitar chord diagram: F#, A#, C#, E#, G#, played 644664
F#maj9 1st inversion, 644664 — the shape above, as a picture.

F#maj9 notes and formula

F#A#C#E#G#
13579

Also written F#M9, F#Δ9, F#ma9 or F# major 9. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play F#maj9

F#maj9 in 1st inversion puts A# in the bass instead of F#, the 3rd of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.

One of F#maj9’s 12 common shapes does this:644664

Play F#maj9 as a shell — root, third and seventh — and the spare string takes the #11 (B#) or the 13 (D#).

All 12 common shapes as fret numbers, lowest string first. Hover or tap one to see it drawn.

  • 213121, 1st fret, F#, root position, top note E#, barred
  • 243324, 2nd fret, F#, root position, top note G#, all fretted
  • xx3324, 2nd fret, E#, 3rd inversion, top note G#, all fretted
  • xx4364, 3rd fret, F#, root position, top note G#, all fretted
  • 644664, 4th fret, A#, 1st inversion, top note G#, barred
  • x96666, 6th fret, F#, root position, top note A#, barred
  • x-9-8-10-9-x, 8th fret, F#, root position, top note G#, all fretted
  • 9-9-8-10-9-x, 8th fret, C#, 2nd inversion, top note G#, barred
  • x-11-11-11-11-13, 11th fret, G#, 9th in the bass, top note E#, barred
  • x-x-11-13-11-13, 11th fret, C#, 2nd inversion, top note E#, all fretted
  • 14-11-11-11-11-13, 11th fret, F#, root position, top note E#, barred
  • 14-13-15-13-14-13, 13th fret, F#, root position, top note E#, barred

How to use F#maj9

How you get to it. The turn that lands on F#maj9 is G#m7 to C#7 — the ii and the V of F# — and C#7 shares its third and seventh with G#m7, so the hand barely moves between them.

In which keys. Every note of F#maj9 belongs to C# major (the IV, the subdominant), Eb minor (the ♭III), F# major (the I, the tonic) and Bb minor (the ♭VI).

What to play over F#maj9

Every note of F#maj9 is in F# major and F# lydian.

Chords near F#maj9

Change one note of F#maj9 and you have F#maj7 (drop the ninth), F#maj11 (add the eleventh), F#maj13 (add the thirteenth), F#mMaj9 (the major third becomes the minor third), F#add9 (drop the major seventh) or F#69 (the major seventh becomes the sixth).

F#maj9 is a major chord — root, major third, fifth. Major chords on every root.

The common shapes and the derived voicings come from different places, and both are explained in how this site is built.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode