F#9b5

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The standard grips this chord is usually shown with.

Inversion
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About F#9b5

F#9b5 is F#, A#, C, E and G#, a nine flat five. The shape this page opens on is written 212112, lowest string first.

F#9b5 guitar chord diagram: F#, A#, C, E, G#, played 212112
F#9b5, 212112 — the shape above, as a picture.

Also written F#9(b5), F#9-5 or F#9♭5. The same chord either way; which spelling you meet depends on who wrote the chart.

There are 6 common shapes for F#9b5 on the guitar, and 25 derived voicings in 3 families.

The common shapes, written lowest string first: 212112, 212110, 2323x4, x34354, x98998, 14-13-14-13-13-14.

Shell. Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top. F#9b5 has 2121xx, xx4354, x9899x, 14-13-14-13-x-x, 2x231x, 2125xx, x-9-x-9-11-8, 14-x-14-15-13-x.

Rootless. The root left to the bass player. Frees a finger for a tension. F#9b5 has x1211x, xx6556, xx8998, x-11-10-9-11-x, x-13-14-13-13-x, xx2314, x1x110, x3x354.

Open string. An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful. F#9b5 has 030354.

Tensions. A shell of F#9b5, root, third and seventh, leaves a string free, and the tones that belong over it are the b13 (D) and the 13 (D#).

The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode