F#7b9

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The standard grips this chord is usually shown with.

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About F#7b9

F#7b9 is F#, A#, C#, E and G, a seven flat nine. The shape this page opens on is written 212020, lowest string first.

F#7b9 guitar chord diagram: F#, A#, C#, E, G, played 212020
F#7b9, 212020 — the shape above, as a picture.

Also written F#7(b9), F#7-9 or F#7♭9. The same chord either way; which spelling you meet depends on who wrote the chart.

There are 7 common shapes for F#7b9 on the guitar, and 45 derived voicings in 5 families.

The common shapes, written lowest string first: 212020, xx2323, 242323, xx4353, x98989, 14-13-14-12-x-x, 14-x-14-15-14-15.

Shell. Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top. F#7b9 has 2120xx, xx4353, x9898x, 14-13-14-12-x-x.

Drop 2. A close-position chord with the second voice from the top lowered an octave. Sits on four adjacent strings. F#7b9 has 2120xx, xx4353, x9898x, 14-13-14-12-x-x, x1405x, 3743xx, x7537x, 6959xx.

Drop 3. The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped. F#7b9 has x1x052, 3x435x, x7x373, 6x597x, x9x986, 12-x-8-11-8-x, x-10-x-11-11-12, 14-x-14-12-11-x.

Rootless. The root left to the bass player. Frees a finger for a tension. F#7b9 has x1202x, xx2323, x4535x, xx5656, x7868x, xx8989, x-10-11-9-11-x, x-x-11-12-11-12.

Open string. An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful. F#7b9 has 040353, 0x0076, 6x0070, 6700xx, 6x005x.

Tensions. A shell of F#7b9, root, third and seventh, leaves a string free, and the tones that belong over it are the #11 (B#), the b13 (D) and the 13 (D#).

The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode