F#aug7 guitar chord

3rd inversion · E in the bass
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Inversion
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About F#aug7 — inversions voicings

F#aug7 is F#, A#, C## and E. Start with and raise the 5th from to raised 5th (C##). You’ll also see this chord written F#7♯5 or F#7(♯5).

Hear that one-note change by comparing with F#aug7.

Hear the change

Only the 5th changes: C♯ rises a half step to C♯#. The other notes stay in place.

When F#aug7 resolves to , that C##♯5 can rise another half step to .

Also written F#7#5, F#+7 or F#7(#5).

F#aug7 guitar chord diagram for the x-x-2-3-3-2 voicing
F#aug7 (F#7♯5) guitar chord voicing: x-x-2-3-3-2.

What an inversion is

How to use F#aug7

F#aug7 is a dominant with its tension raised, so it still points at — harder than a plain seventh does. A plain dominant has two voices a semitone from home; an altered one has four, because every altered tone is also sitting a semitone from a note of B. More voices leaning the same way is all "more tension" means here.

In a phrase:→→

The ii–V–I of B.

Voice by voice, F#aug7 → . 3 voices move by a semitone, and one note is common to both chords. Every voice that moves at all moves by a semitone — the shortest distance there is, which is why the change sounds settled rather than sudden.

In F#aug7MovesIn B
F#, the rootstays where it isF#, the fifth
A#, the major thirdrises a semitoneB, the root
D, the sharp fifthrises a semitoneD#, the major third
E, the flat seventhfalls a semitoneD#, the major third

What to play over F#aug7

Useful scales

Every scale

Chords near F#aug7

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Altered dominant chords on every root

The common shapes and the derived voicings come from different places, and both are explained in how this site is built.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
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Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode