The standard grips this chord is usually shown with.
Bbaug7 is Bb, D, F# and Ab, a augmented seventh. The shape this page opens on is written x14132, lowest string first.

Also written Bb7#5, Bb+7 or Bb7(#5). The same chord either way; which spelling you meet depends on who wrote the chart.
There are 5 common shapes for Bbaug7 on the guitar, and 28 derived voicings in 4 families.
The common shapes, written lowest string first: x14132, 656x7x, 6x677x, x-x-8-11-9-10, x-13-12-13-x-14.
Shell. Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top. Bbaug7 has x1x132, 6x677x, x-13-x-13-15-14.
Drop 2. A close-position chord with the second voice from the top lowered an octave. Sits on four adjacent strings. Bbaug7 has 2101xx, xx4334, 4543xx, xx6776, x9879x, x-11-12-11-11-x, 14-13-12-13-x-x, x1413x.
Drop 3. The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped. Bbaug7 has x1x132, x5x374, 4x433x, x9x796, 6x677x, 10-x-8-11-9-x, x-11-x-11-11-10, 14-x-12-13-11-x.
Open string. An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful. Bbaug7 has 454300, 6x6770, 4x4330.
Tensions. A shell of Bbaug7, root, third and seventh, leaves a string free, and the tones that belong over it are the b9 (Cb), the 9 (C), the #9 (C#) and the #11 (E).
The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.
Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.