Bbm6 guitar chord

1st inversion · Db in the bass

The standard grips this chord is usually shown with.

  • Tap a note to hear it
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  • Fingers, notes or intervals
  • Play the chord
About Bbm61st inversion

Bbm6 is Bb, Db, F and G Bbm with a major sixth added on top.

It sounds bittersweet — minor underneath, major on top. The major sixth over a minor triad comes from the melodic minor, and it is the classic jazz minor tonic.

Bbm6 1st inversion guitar chord diagram: Bb, Db, F, G, played x4536x
Bbm6 1st inversion, x4536x — the shape above, as a picture.

Bbm6 notes and formula

Notes and interval formula
BbDbFG
1♭356

Minor tonic — an ending chord in a minor key.

Also written Bbmin6, Bb-6 or Bb minor 6. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play Bbm6

Bbm6 in 1st inversion puts Db in the bass instead of Bb, the 3rd of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.

One of Bbm6’s 9 common shapes does this: x4536x.

Start with x13x23no barre and down at the nut. None of the shapes for Bbm6 uses an open string, so every one of them is movable; the lowest sits at the 1st fret. 4 of the 9 need a barre. Together they cover the neck from the 1st fret to the 15th.

Every common shape for Bbm6
FretsWhereBassTopHand
x13x231st fretBb, root positionGall fretted
xx33232nd fretF, 2nd inversionGbarred
x4536x3rd fretDb, 1st inversionFall fretted
6x56665th fretBb, root positionBbbarred
6886866th fretBb, root positionBbbarred
x-x-8-10-8-98th fretBb, root positionDball fretted
x-13-11-12-11-1311th fretBb, root positionFall fretted
x-13-15-12-14-x12th fretBb, root positionDball fretted
x-x-15-15-14-1514th fretF, 2nd inversionGbarred

The same notes rebuilt from scratch give 7 shell, 14 drop 2 and 10 drop 3 voicings, each on its own page.

Tensions. A shell of Bbm6, root, third and seventh, leaves a string free, and the tones that belong over it are the 9 (C) and the 11 (Eb).

How to use Bbm6

How you get to it. The turn that lands on Bbm6 is Cm7♭5 to F7♭9: the ii and the V of Bb minor, which is where a minor tonic is usually arrived at rather than simply begun on.

In which keys. Every note of Bbm6 belongs to F minor (the iv, the subdominant) and Ab major (the ii, the supertonic).

What to play over Bbm6

Every note of Bbm6 is in Bb dorian, Bb melodic minor and Bb half-whole diminished.

Chords near Bbm6

Change one note of Bbm6 and you have Bbm (drop the sixth), Bbdim7 (the fifth becomes a flat fifth), Bbm69 (add the ninth), Bbm7 (the sixth becomes a flat seventh), BbmMaj7 (the sixth becomes a major seventh) or Bbmadd9 (the sixth becomes a ninth).

Bbm6 is a minor chord — root, minor third, fifth. Minor chords on every root.

On Bbm6’s sound and use this page follows Mark Levine, The Jazz Piano Book (Sher Music, 1989). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode