BbmMaj7b5 names three separate instructions: a minor 3rd, , and major 7th. The result is Bb, Db, Fb and A.
The flat 5th is the only change from . It must sound, or the voicing is only . This is neither a half-diminished nor diminished-seventh chord.
Also written BbmM7b5 or Bbm(maj7)b5.

Contains BbmMaj7b5 and adds ninth, eleventh, sharp fifth and thirteenth.
The common shapes and the derived voicings come from different places, and both are explained in how this site is built.
Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.