Bb6

1 of 11

The standard grips this chord is usually shown with.

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About Bb6

Bb6 is Bb, D, F and G, a major sixth. The shape this page opens on is written x13333, lowest string first.

Bb6 guitar chord diagram: Bb, D, F, G, played x13333
Bb6, x13333 — the shape above, as a picture.

Also written Bbmaj6, BbM6 or Bb major 6. The same chord either way; which spelling you meet depends on who wrote the chart.

There are 11 common shapes for Bb6 on the guitar, and 38 derived voicings in 4 families.

In which keys. Every note of Bb6 belongs to C minor (the ♭VII), D minor (the ♭VI), Eb major (the V), F major (the IV), G minor (the ♭III) and Bb major (the I).

The common shapes, written lowest string first: x13333, x53333, 655333, 353363, 650066, 6x576x, 6x8786, 68x786, x-x-8-10-8-10, x-13-12-12-11-x, x-13-15-15-15-15.

Shell. Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top. Bb6 has x100xx, 655xxx, x-13-12-12-x-x, x1x03x, 6x57xx, 6x00xx, x-13-x-12-15-x.

Drop 2. A close-position chord with the second voice from the top lowered an octave. Sits on four adjacent strings. Bb6 has 1100xx, x1303x, xx3333, 3533xx, xx5766, x8878x, x-x-8-10-8-10, 10-10-8-10-x-x.

Drop 3. The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped. Bb6 has x1x031, x5x363, 3x333x, 6x576x, x8x786, 10-x-8-10-8-x, x-10-x-10-11-10, 13-x-12-12-11-x.

Open string. An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful. Bb6 has 6x5760, 3x3330, x55360, xx0060, 6700xx, 6x006x.

Tensions. A shell of Bb6, root, third and seventh, leaves a string free, and the tones that belong over it are the 9 (C) and the #11 (E).

The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode