Cm6

1 of 9

The standard grips this chord is usually shown with.

Inversion
  • Tap a note to hear it
  • Arrows change position
  • Fingers, notes or intervals
  • Play the chord
About Cm6

Cm6 is C, Eb, G and A, a minor sixth. The shape this page opens on is written x31213, lowest string first.

Cm6 guitar chord diagram: C, Eb, G, A, played x31213
Cm6, x31213 — the shape above, as a picture.

Also written Cmin6, C-6 or C minor 6. The same chord either way; which spelling you meet depends on who wrote the chart.

There are 9 common shapes for Cm6 on the guitar, and 32 derived voicings in 4 families.

In which keys. Every note of Cm6 belongs to G minor (the iv) and Bb major (the ii).

The common shapes, written lowest string first: x31213, x3524x, x35x45, xx5545, x6758x, 8x7888, 8-10-10-8-10-8, x-x-10-12-10-11, x-15-13-14-13-15.

Shell. Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top. Cm6 has x312xx, 867xxx, x-15-13-14-x-x, x3x24x, 8x78xx, 8-12-13-x-x-x.

Drop 2. A close-position chord with the second voice from the top lowered an octave. Sits on four adjacent strings. Cm6 has 3312xx, x0101x, xx1213, xx5545, 5655xx, xx7888, x-10-10-8-10-x, x-x-10-12-10-11.

Drop 3. The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped. Cm6 has 3x121x, x3x243, 5x554x, x6x585, 8x788x, x-10-x-8-10-8, 11-x-10-12-10-x, x-12-x-12-13-11.

Open string. An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful. Cm6 has 5600xx, x0304x.

Tensions. A shell of Cm6, root, third and seventh, leaves a string free, and the tones that belong over it are the 9 (D) and the 11 (F).

The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode