Bbdim7 guitar chord

Open string · ringing maj7 · strings 654321 · 2nd inversion1 of 6

An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful.

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About Bbdim7open string voicings

Bbdim7 is Bb, Db, Fb and G Bbdim with a diminished seventh stacked on top.

It sounds suspenseful and rootless. Three stacked minor thirds divide the octave evenly, so the same four notes spell four dim7 chords and the shape repeats every three frets.

Bbdim7 open string guitar chord diagram: Bb, Db, Fb, G, played 002323
Bbdim7 open string, 002323 — the shape above, as a picture.

Bbdim7 notes and formula

Notes and interval formula
BbDbFbG
1♭3♭5♭♭7

Leading-tone or passing chord — it can resolve almost anywhere.

Also written Bb°7, Bbo7 or Bb diminished 7. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play Bbdim7

Open-string voicing
×EADGBE

An open string left ringing against a fretted grip. It costs no finger, so it can sound a note the closed shape has none left for: a tension on top, or a pedal root underneath.

These belong to their key rather than to a shape: they cannot be moved up the neck. D, A, G and E have many; E♭ has a handful.

Bbdim7 has 6 of them, on strings 6-5-4-3-2-1, strings 6-5-4-3-2, the bottom four strings, strings 6-4-3-2-1 and the top four strings, from the 2nd fret up to the 5thall in one inversion, so the bass note never moves. The one to learn first is the Fb shape at the 2nd fret, which is the easiest grip here.

Start with x12020no barre and 2 open strings. 1 of the 8 shapes here sits in open position. 2 of the 8 need a barre. Together they cover the neck from the 1st fret to the 15th.

Every common shape for Bbdim7
FretsWhereBassTopHand
x12020open positionBb, root positionFb2 open strings
xx23232nd fretFb, 2nd inversionGall fretted
6x56565th fretBb, root positionBbbarred
6786866th fretBb, root positionBbbarred
xx89898th fretBb, root positionDball fretted
x-x-11-12-11-1211th fretDb, 1st inversionFball fretted
x-13-14-12-14-1212th fretBb, root positionFball fretted
x-x-14-15-14-1514th fretFb, 2nd inversionGall fretted

The same notes rebuilt from scratch give 6 shell, 14 drop 2 and 10 drop 3 voicings, each on its own page.

Tensions. A shell of Bbdim7, root, third and seventh, leaves a string free, and the tones that belong over it are the 9 (C), the 11 (Eb), the b13 (Gb) and the maj7 (A).

How to use Bbdim7

A diminished seventh divides the octave evenly, so Bbdim7 has no single root and no single destination: it can lead to Eb or to B, and it is the same four notes either way.

What to play over Bbdim7

Every note of Bbdim7 is in Bb diminished and Bb half-whole diminished.

Chords near Bbdim7

Change one note of Bbdim7 and you have Bbdim (drop the sixth), Bbm6 (the flat fifth becomes a fifth), Bbm7b5 (the sixth becomes a flat seventh) or BbmMaj7b5 (the sixth becomes a major seventh).

Bbdim7 is a diminished chord — root, minor third, flat fifth. Diminished and half-diminished chords on every root.

On Bbdim7’s sound and use this page follows Stefan Kostka, Dorothy Payne & Byron Almén, Tonal Harmony (McGraw-Hill, 8th ed., 2018). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode