F#mMaj9 guitar chord

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About F#mMaj9root position

F#mMaj9 is F#, A, C#, E# and G# F#mMaj7 with the ninth added on top.

It sounds the same unease with more colour over it. The ninth softens the edge without resolving anything.

F#mMaj9 root position guitar chord diagram: F#, A, C#, E#, G#, played 203121
F#mMaj9 root position, 203121 — the shape above, as a picture.

F#mMaj9 notes and formula

Notes and interval formula
F#AC#E#G#
1♭3579

Minor tonic — melodic minor, extended.

Also written F#mM9, F#m(maj9) or F#-Δ9. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play F#mMaj9

F#mMaj9 in root position puts F# in the bass, which is the chord as it is spelled: the note it is named after underneath everything else.

5 of F#mMaj9’s 7 common shapes do this: 203121, 243224, x-9-7-10-9-x, 14-12-x-13-14-13, 14-12-15-13-x-x.

Start with 203121no barre and 1 open string. 1 of the 7 shapes here sits in open position. 3 of the 7 need a barre. Together they cover the neck from the 1st fret to the 15th.

Every common shape for F#mMaj9
FretsWhereBassTopHand
203121open positionF#, root positionE#1 open string
2432242nd fretF#, root positionG#barred
4446654th fretG#, 9th in the bassAbarred
x-9-7-10-9-x7th fretF#, root positionG#all fretted
9-12-11-10-9-99th fretC#, 2nd inversionC#barred
14-12-x-13-14-1312th fretF#, root positionE#all fretted
14-12-15-13-x-x12th fretF#, root positionG#all fretted

The same notes rebuilt from scratch give 4 shell, 9 drop 2, 6 drop 3 and 14 rootless voicings, each on its own page.

Tensions. A shell of F#mMaj9, root, third and seventh, leaves a string free, and the tones that belong over it are the 11 (B) and the 13 (D#).

How to use F#mMaj9

How you get to it. The turn that lands on F#mMaj9 is G#m7♭5 to C#7♭9: the ii and the V of F# minor, which is where a minor tonic is usually arrived at rather than simply begun on.

What to play over F#mMaj9

Every note of F#mMaj9 is in F# harmonic minor and F# melodic minor.

Chords near F#mMaj9

Change one note of F#mMaj9 and you have F#maj9 (the minor third becomes a major third), F#m69 (the major seventh becomes a sixth), F#m9 (the major seventh becomes a flat seventh), F#mMaj7 (drop the ninth), F#mMaj11 (add the fourth) or F#madd9 (drop the major seventh).

F#mMaj9 is a minor chord — root, minor third, fifth. Minor chords on every root.

On F#mMaj9’s sound and use this page follows Mark Levine, The Jazz Theory Book (Sher Music, 1995). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode