Three notes across one string set.
F#dim is F#, A and C — F#m with the fifth lowered as well.
It sounds compressed and unstable in every direction. Rarely a destination; it is where a line passes through on the way somewhere.
Unstable — it does not sit still.

| F# | A | C |
|---|---|---|
| 1 | ♭3 | ♭5 |
Also written F#°, F#o or F# diminished. The same chord either way; which spelling you meet depends on who wrote the chart.
Three notes on one string set. No seventh, so nothing is claimed about the chord beyond its quality.
Thin on their own, excellent over a bass line or against someone else’s harmony.
F#dim has 47 of them, on the top three strings, the low-middle three, the bottom four strings, the bottom three strings, the high-middle three, the middle four strings, the top four strings, strings 6-4-3-2 and strings 5-3-2-1, from open position up to the 13th — every inversion the chord has: F# in the bass, A in the bass and C in the bass. The one to learn first is the A shape at the nut, which is the easiest grip here.
6 of them sit on the bottom four strings, so you can run the inversions up one set without changing strings — which is the whole reason to learn them as a family rather than as separate grips.
Play F#dim as a shell — root, third and seventh — and the spare string takes the 11 (B) or the b13 (D).
All 5 common shapes as fret numbers, lowest string first. Hover or tap one to see it drawn.
In which keys. Every note of F#dim belongs to E minor (the ii°, the supertonic) and G major (the vii°, the leading tone).
Every note of F#dim is in F# blues, F# locrian, F# altered, F# diminished and F# half-whole diminished.
Change one note of F#dim and you have F#m (the flat fifth becomes the fifth), F#dim7 (add the diminished seventh), F#m7b5 (add the flat seventh) or F#mMaj7b5 (add the major seventh).
F#dim is a diminished chord — root, minor third, flat fifth. Diminished and half-diminished chords on every root.
The common shapes and the derived voicings come from different places, and both are explained in how this site is built.
Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.