F#11 guitar chord
The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped.
- Tap a note to hear it
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- Fingers, notes or intervals
- Play the chord
About F#11 — drop 3 voicings
F#11 is F#, C#, E, G# and B — F#9 with the eleventh added, and the third usually dropped.
It sounds suspended rather than tense. The eleventh sits a semitone above the major third, so the third is usually dropped; some shapes here keep it anyway.
F#11 notes and formula
| F# | C# | E | G# | B |
|---|---|---|---|---|
| 1 | 5 | ♭7 | 9 | 11 |
Dominant — but effectively a sus chord with a ninth.
Also written F#9sus4 or F# dominant 11. The same chord either way; which spelling you meet depends on who wrote the chart.
How to play F#11
The same operation one voice further down: the third voice from the top falls an octave and becomes the bass.
That leaves a bigger hole under the top three notes, so a string gets skipped: the muted string in the middle is the shape, not a mistake.
F#11 has 16 of them, on strings 6-4-3-2 and strings 5-3-2-1, from open position up to the 11th — every inversion the chord has: F# in the bass, C# in the bass, E in the bass, G# in the bass and B in the bass. The one to learn first is the F# shape at the nut.
8 of them sit on strings 6-4-3-2, so you can run the inversions up one set without changing strings — which is the whole reason to learn them as a family rather than as separate grips.
Start with 212100 — no barre and 2 open strings. 1 of the 6 shapes here sits in open position. 3 of the 6 need a barre. Together they cover the neck from the 1st fret to the 13th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| 212100 | open position | F#, root position | E | 2 open strings |
| 222322 | 2nd fret | F#, root position | F# | barred |
| 444456 | 4th fret | G#, 9th in the bass | Bb | barred |
| x98977 | 7th fret | F#, root position | B | all fretted |
| x-9-9-9-11-9 | 9th fret | F#, root position | C# | barred |
| x-13-11-11-12-12 | 11th fret | A# | E | all fretted |
The same notes rebuilt from scratch give 24 drop 2, 14 rootless and 4 open string voicings, each on its own page.
How to use F#11
F#11 is the V of B, and that is where it goes if it goes anywhere: the third and the flat seventh are a tritone apart, and both resolve by a semitone into B.
Voice by voice, F#11 → B. One voice moves by a semitone, and 2 notes are common to both chords.
| In F#11 | Moves | In B |
|---|---|---|
| F#, the root | stays where it is | F#, the fifth |
| C#, the fifth | falls a whole tone | B, the root |
| E, the flat seventh | falls a semitone | D#, the major third |
| G#, the ninth | falls a whole tone | F#, the fifth |
| B, the eleventh | stays where it is | B, the root |
In which keys. Every note of F#11 belongs to C# minor (the iv), E major (the ii), F# minor (the i), Ab minor (the ♭VII), A major (the vi) and B major (the V).
What to play over F#11
Every note of F#11 is in F# mixolydian, F# dorian and F# natural minor.
Chords near F#11
Change one note of F#11 and you have F#sus2sus4 (drop the flat seventh), F#m9 (the fourth becomes a minor third), F#m11 (add the minor third), F#7sus4 (drop the ninth) or F#9 (the fourth becomes a major third).
F#11 is a dominant chord — root, major third, fifth, minor seventh. Dominant seventh chords on every root.
On F#11’s sound and use this page follows Barrie Nettles & Richard Graf, The Chord Scale Theory and Jazz Harmony (Advance Music, 1997). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.