C#mMaj11 guitar chord

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About C#mMaj11root position

C#mMaj11 is C#, E, G#, B#, D# and F# C#mMaj9 with the eleventh added on top.

It sounds dense and unresolved. Something is always omitted; the ♭3 and the natural 7 are what must not be.

C#mMaj11 root position guitar chord diagram: C#, E, G#, B#, D#, F#, played x42542
C#mMaj11 root position, x42542 — the shape above, as a picture.

C#mMaj11 notes and formula

Notes and interval formula
C#EG#B#D#F#
1♭357911

Minor tonic — the melodic minor as far up as a guitar carries it.

Also written C#mM11 or C#m(maj11). The same chord either way; which spelling you meet depends on who wrote the chart.

How to play C#mMaj11

C#mMaj11 in root position puts C# in the bass, which is the chord as it is spelled: the note it is named after underneath everything else.

5 of C#mMaj11’s 6 common shapes do this: x42542, x44554, x44664, 9-9-10-9-9-11, x-x-11-11-13-12.

Start with x42542no barre and down at the nut. None of the shapes for C#mMaj11 uses an open string, so every one of them is movable; the lowest sits at the 2nd fret. 4 of the 6 need a barre. Together they cover the neck from the 2nd fret to the 13th.

Every common shape for C#mMaj11
FretsWhereBassTopHand
x425422nd fretC#, root positionF#all fretted
x445544th fretC#, root positionG#barred
x446644th fretC#, root positionG#barred
9-9-10-9-9-119th fretC#, root positionD#barred
x-x-11-11-13-1211th fretC#, root positionEall fretted
x-11-11-11-13-1211th fretG#, 2nd inversionEbarred

The same notes rebuilt from scratch give 5 shell, 12 drop 2, 8 drop 3 and 22 rootless voicings, each on its own page.

Tensions. A shell of C#mMaj11, root, third and seventh, leaves a string free, and the tones that belong over it are the 13 (A#).

How to use C#mMaj11

How you get to it. The turn that lands on C#mMaj11 is D#m7♭5 to G#7♭9: the ii and the V of C# minor, which is where a minor tonic is usually arrived at rather than simply begun on.

What to play over C#mMaj11

Every note of C#mMaj11 is in C# harmonic minor and C# melodic minor.

Chords near C#mMaj11

Change one note of C#mMaj11 and you have C#maj11 (the minor third becomes a major third), C#m11 (the major seventh becomes a flat seventh) or C#mMaj9 (drop the fourth).

C#mMaj11 is a minor chord — root, minor third, fifth. Minor chords on every root.

On C#mMaj11’s sound and use this page follows Ted Pease & Ken Pullig, Modern Jazz Voicings (Berklee Press, 2001). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode