EbmMaj7 guitar chord
Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top.
- Tap a note to hear it
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- Fingers, notes or intervals
- Play the chord
About EbmMaj7 — shell voicings
EbmMaj7 is Eb, Gb, Bb and D — Ebm with the major seventh added on top.
It sounds tense and wrong-footed. A minor triad carrying a major seventh: the semitone under the root over a minor chord is the first bar of a line cliché.
EbmMaj7 notes and formula
| Eb | Gb | Bb | D |
|---|---|---|---|
| 1 | ♭3 | 5 | 7 |
Minor tonic — the tonic of the melodic minor.
Also written EbmM7, Ebm(maj7), Eb-Δ7 or EbminMaj7. The same chord either way; which spelling you meet depends on who wrote the chart.
How to play EbmMaj7
Root, third and seventh. The third and seventh, the guide tones, are what make the chord major, minor or dominant, so the fifth can go: it says nothing the symbol needs.
Three notes means a spare string, which is the real point. Put a tension on it.
EbmMaj7 has 4 of them, on the low-middle three, strings 5-3-2, the bottom three strings and strings 6-4-3, from the 4th fret up to the 11th — all in one inversion, so the bass note never moves. The one to learn first is the Eb shape at the 4th fret.
Start with xx1332 — no barre and down at the nut. None of the shapes for EbmMaj7 uses an open string, so every one of them is movable; the lowest sits at the 1st fret. 1 of the 6 needs a barre. Together they cover the neck from the 1st fret to the 13th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| xx1332 | 1st fret | Eb, root position | Gb | all fretted |
| x6433x | 3rd fret | Eb, root position | D | all fretted |
| x68776 | 6th fret | Eb, root position | Bb | all fretted |
| x-9-8-8-11-10 | 8th fret | Gb, 1st inversion | D | all fretted |
| x-x-13-11-11-10 | 10th fret | Eb, root position | D | all fretted |
| 11-13-12-11-11-11 | 11th fret | Eb, root position | Eb | barred |
The same notes rebuilt from scratch give 13 drop 2 and 9 drop 3 voicings, each on its own page.
Tensions. A shell of EbmMaj7, root, third and seventh, leaves a string free, and the tones that belong over it are the 9 (F), the 11 (Ab) and the 13 (C).
How to use EbmMaj7
How you get to it. The turn that lands on EbmMaj7 is Fm7♭5 to Bb7♭9: the ii and the V of Eb minor, which is where a minor tonic is usually arrived at rather than simply begun on.
What to play over EbmMaj7
Every note of EbmMaj7 is in Eb harmonic minor and Eb melodic minor.
Chords near EbmMaj7
Change one note of EbmMaj7 and you have Ebm (drop the major seventh), Ebmaj7 (the minor third becomes a major third), Ebm6 (the major seventh becomes a sixth), Ebm7 (the major seventh becomes a flat seventh), EbmMaj7b5 (the fifth becomes a flat fifth) or EbmMaj9 (add the ninth).
EbmMaj7 is a minor chord — root, minor third, fifth. Minor chords on every root.
On EbmMaj7’s sound and use this page follows Mark Levine, The Jazz Theory Book (Sher Music, 1995). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.