Ebmaj7b5

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The standard grips this chord is usually shown with.

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About Ebmaj7b5

Ebmaj7b5 is Eb, G, A and D, a major seven flat five. The shape this page opens on is written xx1233, lowest string first.

Ebmaj7b5 guitar chord diagram: Eb, G, A, D, played xx1233
Ebmaj7b5, xx1233 — the shape above, as a picture.

Also written EbM7b5, EbΔ7b5 or Ebmaj7(b5). The same chord either way; which spelling you meet depends on who wrote the chart.

There are 6 common shapes for Ebmaj7b5 on the guitar, and 34 derived voicings in 4 families.

In which keys. Every note of Ebmaj7b5 belongs to G minor (the ♭VI) and Bb major (the IV).

The common shapes, written lowest string first: xx1233, x65785, x6778x, 11-10-12-12-10-10, 11-12-12-12-x-11, x-x-13-14-15-15.

Shell. Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top. Ebmaj7b5 has xx1035, x6x035, x6x785, 11-x-12-12-10-x, 11-10-12-14-x-x, x-6-5-7-10-x.

Drop 2. A close-position chord with the second voice from the top lowered an octave. Sits on four adjacent strings. Ebmaj7b5 has x0103x, xx1233, 5657xx, x6778x, x-x-12-12-10-11, 11-12-12-12-x-x, x-x-13-14-15-15, 3512xx.

Drop 3. The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped. Ebmaj7b5 has 3x123x, x5x243, 5x574x, x6x785, 10-x-7-8-8-x, x-10-x-8-10-10, 11-x-12-12-10-x, x-12-x-12-15-11.

Open string. An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful. Ebmaj7b5 has x0004x, xx0045, 5600xx, x00065, 5x004x.

Tensions. A shell of Ebmaj7b5, root, third and seventh, leaves a string free, and the tones that belong over it are the 9 (F) and the 13 (C).

The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode