Dmmaj7

DmMaj7 is D, F, A and C#, a minor major seventh. The shape this page opens on is written xx0221, lowest string first.

Also written DmM7, Dm(maj7), D-Δ7 or DminMaj7. The same chord either way; which spelling you meet depends on who wrote the chart.

There are 7 common shapes for DmMaj7 on the guitar, and 32 derived voicings in 4 families.

The common shapes, written lowest string first: xx0221, x53220, x57665, x-8-7-7-10-9, x-x-12-10-10-9, 10-12-11-10-10-10, x-x-12-14-14-13.

Shell. Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top. DmMaj7 has x536xx, x5x66x, 10-8-11-x-x-x, 10-x-11-10-x-x.

Drop 2. A close-position chord with the second voice from the top lowered an octave. Sits on four adjacent strings. DmMaj7 has xx0221, x4323x, x5766x, 9877xx, x-x-11-10-10-10, 10-12-11-10-x-x, x-x-12-14-14-13, 1402xx.

Drop 3. The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped. DmMaj7 has 1x022x, x4x231, 5x363x, x5x665, 9x776x, x-8-x-7-10-9, x-12-x-10-14-10, 10-x-11-10-10-x.

Open string. An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful. DmMaj7 has 553600, x57660, x43230, 5x3630, x03020, x03600.

Tensions. A shell of DmMaj7, root, third and seventh, leaves a string free, and the tones that belong over it are the 9 (E), the 11 (G) and the 13 (B).

The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.