Ebmaj13 guitar chord

Rootless · strings 4321 · 3rd inversion1 of 25

The root left to the bass player. Frees a finger for a tension.

Inversion
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  • Arrows change position
  • Fingers, notes or intervals
  • Play the chord

About Ebmaj13rootless voicings

Ebmaj13 is Eb, G, Bb, D, F and C Ebmaj9 with the thirteenth on top, and the eleventh left out.

It sounds full and wide open. Everything the major scale offers except the eleventh, which is left out because it fights the third.

Tonic — the major sound with most of the scale showing.

Ebmaj13 rootless guitar chord diagram: Eb, G, Bb, D, F, C, played xx0011
Ebmaj13 rootless, xx0011 — the shape above, as a picture.

Ebmaj13 notes and formula

EbGBbDFC
1357913

Also written EbM13, EbΔ13 or Eb major 13. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play Ebmaj13

Rootless voicing
R35♭79

Leave the root to the bass player. In a band nobody misses it, and the ear supplies it from the guide tones anyway.

The finger it frees goes to a tension, which is why these sound richer than the shape they came from rather than thinner.

Ebmaj13 has 25 of them, on the top four strings, the middle four strings and strings 5-3-2-1, from open position up to the 12thevery inversion the chord has: G in the bass, Bb in the bass, D in the bass, F in the bass and C in the bass. The one to learn first is the D shape at the nut, which is the easiest grip here.

9 of them sit on the middle four strings, so you can run the inversions up one set without changing strings — which is the whole reason to learn them as a family rather than as separate grips.

Six notes and four fingers, so something has to go. Keep G and D (they fix the quality) and C and F (what the symbol is about). Let Bb and Eb go, in that order — a perfect fifth says nothing the root has not, and in a band the bass has the root.

Play Ebmaj13 as a shell — root, third and seventh — and the spare string takes the #11 (A).

All 7 common shapes as fret numbers, lowest string first. Hover or tap one to see it drawn.

  • x31133, 1st fret, C, 13th in the bass, top note G, barred
  • x3103x, open position, C, 13th in the bass, top note D, 1 open string
  • x65533, 3rd fret, Eb, root position, top note G, all fretted
  • x63533, 3rd fret, Eb, root position, top note G, barred
  • x66788, 6th fret, Eb, root position, top note C, all fretted
  • 11-10-10-10-11-10, 10th fret, Eb, root position, top note D, barred
  • 11-11-12-12-13-11, 11th fret, Eb, root position, top note Eb, barred

How to use Ebmaj13

How you get to it. The turn that lands on Ebmaj13 is Fm7 to Bb7 — the ii and the V of Eb — and Bb7 shares its third and seventh with Fm7, so the hand barely moves between them.

In which keys. Every note of Ebmaj13 belongs to C minor (the ♭III), Eb major (the I, the tonic), G minor (the ♭VI) and Bb major (the IV, the subdominant).

What to play over Ebmaj13

Every note of Ebmaj13 is in Eb major and Eb lydian.

Chords near Ebmaj13

Change one note of Ebmaj13 and you have Ebmaj9 (drop the thirteenth), Ebmaj11 (the thirteenth becomes the eleventh), Eb69 (drop the major seventh) or Eb13 (the major seventh becomes the flat seventh).

Ebmaj13 is a major chord — root, major third, fifth. Major chords on every root.

The common shapes and the derived voicings come from different places, and both are explained in how this site is built.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode