The standard grips this chord is usually shown with.
Abmaj13 is Ab, C, Eb, G, Bb and F, a major thirteenth. The shape this page opens on is written 433343, lowest string first.

Also written AbM13, AbΔ13 or Ab major 13. The same chord either way; which spelling you meet depends on who wrote the chart.
There are 6 common shapes for Abmaj13 on the guitar, and 52 derived voicings in 4 families.
In which keys. Every note of Abmaj13 belongs to C minor (the ♭VI), Eb major (the IV), F minor (the ♭III) and Ab major (the I).
The common shapes, written lowest string first: 433343, 445564, x86688, x-11-10-10-8-8, x-11-8-10-8-8, x-11-11-12-13-13.
Shell. Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top. Abmaj13 has 4x556x, x-11-x-12-13-13.
Drop 2. A close-position chord with the second voice from the top lowered an octave. Sits on four adjacent strings. Abmaj13 has xx3113, 3331xx, xx5564, x-10-10-10-9-x, x-x-15-13-13-15, 15-15-15-13-x-x, 4855xx, x8658x.
Drop 3. The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped. Abmaj13 has 3x311x, x8x584, 4x556x, 8-x-6-10-8-x, x-10-x-10-9-8, 13-x-10-12-9-x, x-11-x-12-13-13, 15-x-15-13-13-x.
Rootless. The root left to the bass player. Frees a finger for a tension. Abmaj13 has xx3313, x1301x, xx1011, xx3543, x3304x, xx5566, x6556x, x-x-8-10-8-8.
Tensions. A shell of Abmaj13, root, third and seventh, leaves a string free, and the tones that belong over it are the #11 (D).
The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.
Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.