Ebm7b5 guitar chord

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The standard grips this chord is usually shown with.

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About Ebm7b5root position

Ebm7b5 is Eb, Gb, A and Db Ebm7 with the fifth lowered a semitone.

It sounds hollow, and unmistakably going somewhere. Almost always the first chord of a minor ii–V–i, so it walks straight into an altered dominant.

Ebm7b5 root position guitar chord diagram: Eb, Gb, A, Db, played xx1222
Ebm7b5 root position, xx1222 — the shape above, as a picture.

Ebm7b5 notes and formula

Notes and interval formula
EbGbADb
1♭3♭5♭7

Pre-dominant — the ii of a minor key.

Also written Ebø, Ebø7, Ebm7-5, Ebm7(b5) or Eb half diminished. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play Ebm7b5

Ebm7b5 in root position puts Eb in the bass, which is the chord as it is spelled: the note it is named after underneath everything else.

7 of Ebm7b5’s 8 common shapes do this: xx1222, x64645, x6767x, 11-x-x-11-10-9, 11-x-11-11-10-x, 11-12-13-11-14-11, x-x-13-14-14-14.

Start with x6767xno barre. None of the shapes for Ebm7b5 uses an open string, so every one of them is movable; the lowest sits at the 1st fret. 4 of the 8 need a barre. Together they cover the neck from the 1st fret to the 14th.

Every common shape for Ebm7b5
FretsWhereBassTopHand
xx12221st fretEb, root positionGbbarred
x646454th fretEb, root positionAall fretted
x6767x6th fretEb, root positionGball fretted
xx78797th fretBbb, 2nd inversionDball fretted
11-x-x-11-10-99th fretEb, root positionDball fretted
11-x-11-11-10-x10th fretEb, root positionAbarred
11-12-13-11-14-1111th fretEb, root positionEbbarred
x-x-13-14-14-1413th fretEb, root positionGbbarred

The same notes rebuilt from scratch give 4 shell, 13 drop 2, 9 drop 3 and 2 open string voicings, each on its own page.

Tensions. A shell of Ebm7b5, root, third and seventh, leaves a string free, and the tones that belong over it are the 11 (Ab) and the b13 (Cb).

How to use Ebm7b5

Ebm7b5 is the ii of Db minor, which is where it is nearly always found: half-diminished, then an altered dominant, then the minor tonic.

In which keys. Every note of Ebm7b5 belongs to C# minor (the ii°, the supertonic) and E major (the vii°, the leading tone).

What to play over Ebm7b5

Every note of Ebm7b5 is in Eb blues, Eb locrian, Eb altered and Eb half-whole diminished.

Chords near Ebm7b5

Change one note of Ebm7b5 and you have Ebdim (drop the flat seventh), Ebdim7 (the flat seventh becomes a sixth), Ebm7 (the flat fifth becomes a fifth), EbmMaj7b5 (the flat seventh becomes a major seventh) or Eb7b5 (the minor third becomes a major third).

Ebm7b5 is a diminished chord — root, minor third, flat fifth. Diminished and half-diminished chords on every root.

On Ebm7b5’s sound and use this page follows Mark Levine, The Jazz Theory Book (Sher Music, 1995). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode