Ebalt guitar chord
Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top.
- Tap a note to hear it
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- Fingers, notes or intervals
- Play the chord
About Ebalt — shell voicings
Ebalt is Eb, G, B, Db and Fb — Eb7 with every tension it can carry altered at once.
It sounds maximum tension, barely holding together. Not one chord but an instruction: take the root, third and flat seventh, add any two alterations, and let the rest go.
Ebalt notes and formula
| Eb | G | B | Db | Fb |
|---|---|---|---|---|
| 1 | 3 | ♯5 | ♭7 | ♭9 |
Altered dominant — the hardest pull available.
Also written Eb7alt, Eb7altered or Eb altered dominant. The same chord either way; which spelling you meet depends on who wrote the chart.
How to play Ebalt
Root, third and seventh. The third and seventh, the guide tones, are what make the chord major, minor or dominant, so the fifth can go: it says nothing the symbol needs.
Three notes means a spare string, which is the real point. Put a tension on it.
Ebalt has 8 of them, on the top four strings, the middle four strings, the bottom four strings, strings 5-3-2-1 and strings 6-4-3-2, from open position up to the 12th — all in one inversion, so the bass note never moves. The one to learn first is the Eb shape at the nut, which is the easiest grip here.
3 of them sit on strings 5-3-2-1, so you can run the inversions up one set without changing strings — which is the whole reason to learn them as a family rather than as separate grips.
Start with xx1243 — down at the nut. 1 of the 8 shapes here sits in open position. None of them needs a barre. Together they cover the neck from the 1st fret to the 13th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| xx1243 | 1st fret | Eb, root position | G | all fretted |
| x65045 | open position | Eb, root position | A | 1 open string |
| x65885 | 5th fret | Eb, root position | A | all fretted |
| x6708x | 6th fret | Eb, root position | G | 1 open string |
| x6788x | 6th fret | Eb, root position | G | all fretted |
| 11-10-x-12-10-11 | 10th fret | Eb, root position | Eb | all fretted |
| x-x-13-12-10-11 | 10th fret | Eb, root position | Eb | all fretted |
| 11-12-13-12-x-11 | 11th fret | Eb, root position | Eb | all fretted |
The same notes rebuilt from scratch give 14 rootless and 6 open string voicings, each on its own page.
Tensions. A shell of Ebalt, root, third and seventh, leaves a string free, and the tones that belong over it are the #11 (A).
How to use Ebalt
Ebalt is a dominant with its tension raised, so it still points at Ab — harder than a plain seventh does, because the altered tones sit a semitone from where they are going.
Voice by voice, Ebalt → Ab. 4 voices move by a semitone, and one note is common to both chords.
| In Ebalt | Moves | In Ab |
|---|---|---|
| Eb, the root | stays where it is | Eb, the fifth |
| G, the major third | rises a semitone | Ab, the root |
| B, the sharp fifth | rises a semitone | C, the major third |
| Db, the flat seventh | falls a semitone | C, the major third |
| Fb, the flat ninth | falls a semitone | Eb, the fifth |
What to play over Ebalt
Every note of Ebalt is in Eb altered.
Chords near Ebalt
Change one note of Ebalt and you have Ebaug7 (drop the flat ninth), Ebaug9 (the flat ninth becomes a ninth) or Eb7b9 (the sharp fifth becomes a fifth).
Ebalt is an altered chord — a dominant seventh with its fifth or ninth moved. Altered dominant chords on every root.
On Ebalt’s sound and use this page follows Mark Levine, The Jazz Theory Book (Sher Music, 1995). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.