DmMaj9 guitar chord
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About DmMaj9 — 3rd inversion
DmMaj9 is D, F, A, C# and E. It keeps every note of and adds the .
DmMaj9 and both contain the 9th. The difference is the 7th: DmMaj9 uses , while uses the flat 7th.
Choose between them by the seventh under a held 9th. The minor 3rd remains in both chords.
Also written DmM9, Dm(maj9) or D-Δ9.
What 3rd inversion means
DmMaj9 in 3rd inversion puts C# in the bass instead of D, the 7th of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.
One of DmMaj9’s 9 shapes does this:x-x-11-10-10-12
How to use DmMaj9
How you get to it. The turn that lands on DmMaj9 is to : the ii and the V of D minor, which is where a minor tonic is usually arrived at rather than simply begun on.
Hear it land:→→
What to play over DmMaj9
Useful scales
- +GBb
Contains DmMaj9 and adds eleventh and flat thirteenth.
- +GB
Contains DmMaj9 and adds eleventh and thirteenth.
Chords near DmMaj9
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3rd inversion 3rd inversion open strings open strings
The common shapes and the derived voicings come from different places, and both are explained in how this site is built.