DmMaj9 guitar chord
An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful.
- Tap a note to hear it
- Arrows change position
- Fingers, notes or intervals
- Play the chord
About DmMaj9 — open string voicings
DmMaj9 is D, F, A, C# and E — DmMaj7 with the ninth added on top.
It sounds the same unease with more colour over it. The ninth softens the edge without resolving anything.
DmMaj9 notes and formula
| D | F | A | C# | E |
|---|---|---|---|---|
| 1 | ♭3 | 5 | 7 | 9 |
Minor tonic — melodic minor, extended.
Also written DmM9, Dm(maj9) or D-Δ9. The same chord either way; which spelling you meet depends on who wrote the chart.
How to play DmMaj9
An open string left ringing against a fretted grip. It costs no finger, so it can sound a note the closed shape has none left for: a tension on top, or a pedal root underneath.
These belong to their key rather than to a shape: they cannot be moved up the neck. D, A, G and E have many; E♭ has a handful.
DmMaj9 has 6 of them, on strings 6-5-4-3-2-1, strings 6-5-4-3-2 and strings 5-4-3-2-1, from the 2nd fret up to the 5th — every inversion the chord has: A in the bass, C# in the bass and E in the bass. The one to learn first is the E shape at the 2nd fret, which is the easiest grip here.
Start with x53650 — no barre and 1 open string. 1 of the 8 shapes here sits in open position. 3 of the 8 need a barre. Together they cover the neck from the 3rd fret to the 14th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| x53650 | open position | D, root position | E | 1 open string |
| x70665 | 5th fret | E, 9th in the bass | A | 1 open string |
| 587655 | 5th fret | A, 2nd inversion | A | barred |
| x-8-0-9-10-9 | 8th fret | F, 1st inversion | C# | 1 open string |
| 10-8-x-9-10-9 | 8th fret | D, root position | C# | all fretted |
| 10-8-11-9-x-x | 8th fret | D, root position | E | all fretted |
| 10-12-11-10-10-12 | 10th fret | D, root position | E | barred |
| 12-12-12-14-14-13 | 12th fret | E, 9th in the bass | F | barred |
The same notes rebuilt from scratch give 3 shell, 7 drop 2, 5 drop 3 and 13 rootless voicings, each on its own page.
Tensions. A shell of DmMaj9, root, third and seventh, leaves a string free, and the tones that belong over it are the 11 (G) and the 13 (B).
How to use DmMaj9
How you get to it. The turn that lands on DmMaj9 is Em7♭5 to A7♭9: the ii and the V of D minor, which is where a minor tonic is usually arrived at rather than simply begun on.
What to play over DmMaj9
Every note of DmMaj9 is in D harmonic minor and D melodic minor.
Chords near DmMaj9
Change one note of DmMaj9 and you have Dmaj9 (the minor third becomes a major third), Dm69 (the major seventh becomes a sixth), Dm9 (the major seventh becomes a flat seventh), DmMaj7 (drop the ninth), DmMaj11 (add the fourth) or Dmadd9 (drop the major seventh).
DmMaj9 is a minor chord — root, minor third, fifth. Minor chords on every root.
On DmMaj9’s sound and use this page follows Mark Levine, The Jazz Theory Book (Sher Music, 1995). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.