C#sus4 guitar chord

2nd inversion · G# in the bass

The standard grips this chord is usually shown with.

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  • Fingers, notes or intervals
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About C#sus42nd inversion

C#sus4 is C#, F# and G# C# with the third replaced by the fourth.

It sounds suspended mid-air. Played before the plain chord it is the oldest tension-and-release move there is.

C#sus4 2nd inversion guitar chord diagram: C#, F#, G#, played xx6679
C#sus4 2nd inversion, xx6679 — the shape above, as a picture.

C#sus4 notes and formula

Notes and interval formula
C#F#G#
145

Suspended — classically it resolves down onto the third.

Also written C#sus or C# suspended 4th. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play C#sus4

C#sus4 in 2nd inversion puts G# in the bass instead of C#, the 5th of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.

One of C#sus4’s 6 common shapes does this: xx6679.

Start with x4412xno barre and down at the nut. None of the shapes for C#sus4 uses an open string, so every one of them is movable; the lowest sits at the 1st fret. 1 of the 6 needs a barre. Together they cover the neck from the 1st fret to the 14th.

Every common shape for C#sus4
FretsWhereBassTopHand
x4412x1st fretC#, root positionC#all fretted
x466744th fretC#, root positionG#all fretted
9x66796th fretC#, root positionC#all fretted
xx66796th fretG#, 2nd inversionC#all fretted
9-11-11-11-9-99th fretC#, root positionC#barred
x-x-11-13-14-1411th fretC#, root positionF#all fretted

The same notes rebuilt from scratch give 46 triad voicings, each on its own page.

How to use C#sus4

Voice by voice, C#sus4C#. One voice moves by a semitone, and 2 notes are common to both chords.

In C#sus4MovesIn C#
C#, the rootstays where it isC#, the root
F#, the fourthfalls a semitoneE#, the major third
G#, the fifthstays where it isG#, the fifth

In which keys. Every note of C#sus4 belongs to C# major (the I), C# minor (the i), Eb minor (the ♭VII), E major (the vi), F# major (the V), F# minor (the v), Ab minor (the iv), A major (the iii), Bb minor (the ♭III) and B major (the ii).

What to play over C#sus4

Every note of C#sus4 is in C# minor pentatonic, C# blues, C# major, C# mixolydian and C# dorian.

Chords near C#sus4

Change one note of C#sus4 and you have C# (the fourth becomes a major third), C#m (the fourth becomes a minor third), C#sus2 (the fourth becomes a ninth), C#sus2sus4 (add the ninth), C#5 (drop the fourth) or C#7sus4 (add the flat seventh).

C#sus4 is a suspended chord — root and fifth, with a second or fourth where the third would be — or nothing at all. Suspended and power chords on every root.

On C#sus4’s sound and use this page follows Edward Aldwell & Carl Schachter, Harmony and Voice Leading (Schirmer / Cengage, 4th ed., 2011). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode