C#maj9 guitar chord

9th in bass · D# in the bass

Playable, correctly spelled, and not how the chord is normally voiced. Right now this is the shapes that put a ninth, eleventh or thirteenth below the root.

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About C#maj9uncommon voicings

C#maj9 is C#, E#, G#, B# and D# C#maj7 with the ninth stacked above it.

It sounds a maj7 with more air in it. The ninth argues with nothing here, so it works anywhere a maj7 does.

Tonic — an extended resting chord.

C#maj9 uncommon guitar chord diagram: C#, E#, G#, B#, D#, played x41111
C#maj9 uncommon, x41111 — the shape above, as a picture.

C#maj9 notes and formula

C#E#G#B#D#
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Also written C#M9, C#Δ9, C#ma9 or C# major 9. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play C#maj9

Five notes and four fingers, so something has to go. Keep E# and B# (they fix the quality) and D# (what the symbol is about). Let G# and C# go, in that order — a perfect fifth says nothing the root has not, and in a band the bass has the root.

Play C#maj9 as a shell — root, third and seventh — and the spare string takes the #11 (F##) or the 13 (A#).

All 11 common shapes as fret numbers, lowest string first. Hover or tap one to see it drawn.

  • x41111, 1st fret, C#, root position, top note E#, barred
  • x4354x, 3rd fret, C#, root position, top note D#, all fretted
  • 44354x, 3rd fret, G#, 2nd inversion, top note D#, barred
  • x66668, 6th fret, D#, 9th in the bass, top note B#, barred
  • xx6868, 6th fret, G#, 2nd inversion, top note B#, all fretted
  • 966668, 6th fret, C#, root position, top note B#, barred
  • 9-8-10-8-9-8, 8th fret, C#, root position, top note B#, barred
  • 9-11-10-10-9-11, 9th fret, C#, root position, top note D#, all fretted
  • x-x-10-10-9-11, 9th fret, B#, 3rd inversion, top note D#, all fretted
  • x-x-11-10-13-11, 10th fret, C#, root position, top note D#, all fretted
  • 13-11-11-13-13-11, 11th fret, E#, 1st inversion, top note D#, barred

How to use C#maj9

How you get to it. The turn that lands on C#maj9 is D#m7 to G#7 — the ii and the V of C# — and G#7 shares its third and seventh with D#m7, so the hand barely moves between them.

In which keys. Every note of C#maj9 belongs to C# major (the I, the tonic), F minor (the ♭VI), Ab major (the IV, the subdominant) and Bb minor (the ♭III).

What to play over C#maj9

Every note of C#maj9 is in C# major and C# lydian.

Each of those is a page: the scale across the neck, and the chords it harmonises into — which is where C#maj9 sits in it. Every scale.

Chords near C#maj9

Change one note of C#maj9 and you have C#maj7 (drop the ninth), C#maj11 (add the eleventh), C#maj13 (add the thirteenth), C#mMaj9 (the major third becomes the minor third), C#add9 (drop the major seventh) or C#69 (the major seventh becomes the sixth).

C#maj9 is a major chord — root, major third, fifth. Major chords on every root.

The common shapes and the derived voicings come from different places, and both are explained in how this site is built.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode