C#m11 guitar chord
Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top.
- Tap a note to hear it
- Arrows change position
- Fingers, notes or intervals
- Play the chord
About C#m11 — shell voicings
C#m11 is C#, E, G#, B, D# and F# — C#m9 with the eleventh added on top.
It sounds spacious and slightly unresolved. The eleventh is a whole step above the minor third, so unlike its major counterpart it fits without a fight.
C#m11 notes and formula
| C# | E | G# | B | D# | F# |
|---|---|---|---|---|---|
| 1 | ♭3 | 5 | ♭7 | 9 | 11 |
Pre-dominant or minor tonic — it hangs rather than moves.
Also written C#min11, C#-11 or C# minor 11. The same chord either way; which spelling you meet depends on who wrote the chart.
How to play C#m11
Root, third and seventh. The third and seventh, the guide tones, are what make the chord major, minor or dominant, so the fifth can go: it says nothing the symbol needs.
Three notes means a spare string, which is the real point. Put a tension on it.
C#m11 has 7 of them, on strings 5-3-2-1, strings 6-4-3-2, the bottom four strings, the middle four strings and the top four strings, from the 2nd fret up to the 9th — all in one inversion, so the bass note never moves. The one to learn first is the C# shape at the 2nd fret.
Start with x-x-11-11-12-12 — no barre. None of the shapes for C#m11 uses an open string, so every one of them is movable; the lowest sits at the 2nd fret. 6 of the 7 need a barre. Together they cover the neck from the 2nd fret to the 12th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| x42422 | 2nd fret | C#, root position | F# | barred |
| x42442 | 2nd fret | C#, root position | F# | barred |
| x44454 | 4th fret | C#, root position | G# | barred |
| 979877 | 7th fret | C#, root position | B | barred |
| 9x997x | 7th fret | C#, root position | F# | barred |
| 9-9-9-9-9-11 | 9th fret | C#, root position | D# | barred |
| x-x-11-11-12-12 | 11th fret | C#, root position | E | all fretted |
The same notes rebuilt from scratch give 12 drop 2, 8 drop 3, 22 rootless and 3 open string voicings, each on its own page.
Tensions. A shell of C#m11, root, third and seventh, leaves a string free, and the tones that belong over it are the 13 (A#).
How to use C#m11
How you get to it. The turn that lands on C#m11 is D#m7♭5 to G#7♭9: the ii and the V of C# minor, which is where a minor tonic is usually arrived at rather than simply begun on.
In which keys. Every note of C#m11 belongs to C# minor (the i, the tonic), E major (the vi, the submediant), Ab minor (the iv, the subdominant) and B major (the ii, the supertonic).
What to play over C#m11
Every note of C#m11 is in C# dorian and C# natural minor.
Chords near C#m11
Change one note of C#m11 and you have C#m9 (drop the fourth) or C#mMaj11 (the flat seventh becomes a major seventh).
C#m11 is a minor chord — root, minor third, fifth. Minor chords on every root.
On C#m11’s sound and use this page follows Mark Levine, The Jazz Theory Book (Sher Music, 1995). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.