C#alt guitar chord
An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful.
- Tap a note to hear it
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- Fingers, notes or intervals
- Play the chord
About C#alt — open string voicings
C#alt is C#, E#, A, B and D — C#7 with every tension it can carry altered at once.
It sounds maximum tension, barely holding together. Not one chord but an instruction: take the root, third and flat seventh, add any two alterations, and let the rest go.
C#alt notes and formula
| C# | E# | A | B | D |
|---|---|---|---|---|
| 1 | 3 | ♯5 | ♭7 | ♭9 |
Altered dominant — the hardest pull available.
Also written C#7alt, C#7altered or C# altered dominant. The same chord either way; which spelling you meet depends on who wrote the chart.
How to play C#alt
An open string left ringing against a fretted grip. It costs no finger, so it can sound a note the closed shape has none left for: a tension on top, or a pedal root underneath.
These belong to their key rather than to a shape: they cannot be moved up the neck. D, A, G and E have many; E♭ has a handful.
C#alt has 2 of them, on strings 5-4-3-2-1 and the middle four strings, from the 4th fret up to the 6th — all in one inversion, so the bass note never moves. The one to learn first is the G## shape at the 4th fret, which is the easiest grip here.
Start with x43021 — 1 open string and down at the nut. 2 of the 9 shapes here sit in open position. None of them needs a barre. Together they cover the neck from the 1st fret to the 14th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| x43021 | open position | C#, root position | E# | 1 open string |
| x43x23 | 2nd fret | C#, root position | G | all fretted |
| x45063 | open position | C#, root position | G | 1 open string |
| x43663 | 3rd fret | C#, root position | G | all fretted |
| x4566x | 4th fret | C#, root position | E# | all fretted |
| 9-8-x-10-8-9 | 8th fret | C#, root position | C# | all fretted |
| x-x-11-10-8-9 | 8th fret | C#, root position | C# | all fretted |
| 9-10-11-10-x-9 | 9th fret | C#, root position | C# | all fretted |
| x-x-11-12-14-13 | 11th fret | C#, root position | E# | all fretted |
The same notes rebuilt from scratch give 5 shell and 15 rootless voicings, each on its own page.
Tensions. A shell of C#alt, root, third and seventh, leaves a string free, and the tones that belong over it are the #11 (F##).
How to use C#alt
C#alt is a dominant with its tension raised, so it still points at F# — harder than a plain seventh does, because the altered tones sit a semitone from where they are going.
Voice by voice, C#alt → F#. 4 voices move by a semitone, and one note is common to both chords.
| In C#alt | Moves | In F# |
|---|---|---|
| C#, the root | stays where it is | C#, the fifth |
| E#, the major third | rises a semitone | F#, the root |
| A, the sharp fifth | rises a semitone | A#, the major third |
| B, the flat seventh | falls a semitone | A#, the major third |
| D, the flat ninth | falls a semitone | C#, the fifth |
What to play over C#alt
Every note of C#alt is in C# altered.
Chords near C#alt
Change one note of C#alt and you have C#aug7 (drop the flat ninth), C#aug9 (the flat ninth becomes a ninth) or C#7b9 (the sharp fifth becomes a fifth).
C#alt is an altered chord — a dominant seventh with its fifth or ninth moved. Altered dominant chords on every root.
On C#alt’s sound and use this page follows Mark Levine, The Jazz Theory Book (Sher Music, 1995). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.