BbmMaj7b5 guitar chord
An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful.
- Tap a note to hear it
- Arrows change position
- Fingers, notes or intervals
- Play the chord
About BbmMaj7b5 — open string voicings
BbmMaj7b5 is Bb, Db, Fb and A — Bbm7b5 with the seventh raised a semitone.
It sounds brittle and impossible to mistake. Scarce enough that most players meet it as a passing sonority rather than as a chord they chose.
BbmMaj7b5 notes and formula
| Bb | Db | Fb | A |
|---|---|---|---|
| 1 | ♭3 | ♭5 | 7 |
Rare tonic — a half-diminished chord with its seventh raised instead.
Also written BbmM7b5 or Bbm(maj7)b5. The same chord either way; which spelling you meet depends on who wrote the chart.
How to play BbmMaj7b5
An open string left ringing against a fretted grip. It costs no finger, so it can sound a note the closed shape has none left for: a tension on top, or a pedal root underneath.
These belong to their key rather than to a shape: they cannot be moved up the neck. D, A, G and E have many; E♭ has a handful.
BbmMaj7b5 has 1 of them, only on the bottom four strings, all of them at the 4th fret — all in one inversion, so the bass note never moves. The one to learn first is the Fb shape at the 4th fret, which is the easiest grip here.
Start with x-x-8-9-10-9 — no barre. 1 of the 6 shapes here sits in open position. 3 of the 6 need a barre. Together they cover the neck from the 1st fret to the 14th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| x12220 | open position | Bb, root position | Fb | barred |
| 67x655 | 5th fret | Bb, root position | A | all fretted |
| 6776x6 | 6th fret | Bb, root position | Bb | barred |
| x-x-8-9-10-9 | 8th fret | Bb, root position | Db | all fretted |
| x-13-x-14-14-12 | 12th fret | Bb, root position | Fb | all fretted |
| x-13-14-14-14-x | 13th fret | Bb, root position | Db | barred |
The same notes rebuilt from scratch give 4 shell, 13 drop 2 and 9 drop 3 voicings, each on its own page.
Tensions. A shell of BbmMaj7b5, root, third and seventh, leaves a string free, and the tones that belong over it are the 11 (Eb) and the b13 (Gb).
What to play over BbmMaj7b5
Every note of BbmMaj7b5 is in Bb diminished.
Chords near BbmMaj7b5
Change one note of BbmMaj7b5 and you have Bbdim (drop the major seventh), Bbdim7 (the major seventh becomes a sixth), Bbmaj7b5 (the minor third becomes a major third), Bbm7b5 (the major seventh becomes a flat seventh) or BbmMaj7 (the flat fifth becomes a fifth).
BbmMaj7b5 is a diminished chord — root, minor third, flat fifth. Diminished and half-diminished chords on every root.
On BbmMaj7b5’s sound and use this page follows Robert Rawlins & Nor Eddine Bahha, Jazzology (Hal Leonard, 2005). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.