The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped.
Bb7sus4 is Bb, Eb, F and Ab — Bb7 with the third replaced by the fourth.
It sounds leaning rather than shoving. It keeps the flat seventh’s pull and loses the tritone, so it moves without making a hard cadence.
Dominant — it points a fifth down, but softly.

| Bb | Eb | F | Ab |
|---|---|---|---|
| 1 | 4 | 5 | ♭7 |
Also written Bb7sus or Bb dominant 7 sus 4. The same chord either way; which spelling you meet depends on who wrote the chart.
The same operation one voice further down: the third voice from the top falls an octave and becomes the bass.
That leaves a bigger hole under the top three notes, so a string gets skipped: the muted string in the middle is the shape, not a mistake.
Bb7sus4 has 8 of them, on strings 5-3-2-1 and strings 6-4-3-2, from open position up to the 11th — every inversion the chord has: Bb in the bass, Eb in the bass, F in the bass and Ab in the bass. The one to learn first is the Bb shape at the nut.
4 of them sit on strings 5-3-2-1, so you can run the inversions up one set without changing strings — which is the whole reason to learn them as a family rather than as separate grips.
Play Bb7sus4 as a shell — root, third and seventh — and the spare string takes the 9 (C) or the 13 (G).
All 6 common shapes as fret numbers, lowest string first. Hover or tap one to see it drawn.
In a phrase:Fm7→Bb7sus4→Ebmaj7— the ii–V–I of Eb.
Voice by voice, Bb7sus4 → Eb. One voice moves by a semitone, and 2 notes are common to both chords.
| In Bb7sus4 | Moves | In Eb |
|---|---|---|
| Bb, the root | stays where it is | Bb, the fifth |
| Eb, the fourth | stays where it is | Eb, the root |
| F, the fifth | falls a whole tone | Eb, the root |
| Ab, the flat seventh | falls a semitone | G, the major third |
In which keys. Every note of Bb7sus4 belongs to C minor (the ♭VII), C# major (the vi), Eb major (the V), Eb minor (the v), F minor (the iv), F# major (the iii), Ab major (the ii) and Bb minor (the i).
Every note of Bb7sus4 is in Bb minor pentatonic, Bb blues, Bb mixolydian, Bb dorian and Bb natural minor.
Change one note of Bb7sus4 and you have Bbsus4 (drop the flat seventh), Bbsus2sus4 (the flat seventh becomes the second), Bbm7 (the fourth becomes the minor third), Bb7 (the fourth becomes the major third) or Bb11 (add the ninth).
Bb7sus4 is a suspended chord — root and fifth, with a second or fourth where the third would be — or nothing at all. Suspended and power chords on every root.
The common shapes and the derived voicings come from different places, and both are explained in how this site is built.
Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.