BmMaj9 guitar chord

2nd inversion · F# in the bass

The standard grips this chord is usually shown with.

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About BmMaj92nd inversion

BmMaj9 is B, D, F#, A# and C# BmMaj7 with the ninth added on top.

It sounds the same unease with more colour over it. The ninth softens the edge without resolving anything.

BmMaj9 2nd inversion guitar chord diagram: B, D, F#, A#, C#, played 254322
BmMaj9 2nd inversion, 254322 — the shape above, as a picture.

BmMaj9 notes and formula

Notes and interval formula
BDF#A#C#
1♭3579

Minor tonic — melodic minor, extended.

Also written BmM9, Bm(maj9) or B-Δ9. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play BmMaj9

BmMaj9 in 2nd inversion puts F# in the bass instead of B, the 5th of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.

One of BmMaj9’s 7 common shapes does this: 254322.

Start with 75860xno barre and 1 open string. 1 of the 7 shapes here sits in open position. 4 of the 7 need a barre. Together they cover the neck from the 2nd fret to the 15th.

Every common shape for BmMaj9
FretsWhereBassTopHand
x20322open positionB, root positionF#barred
2543222nd fretF#, 2nd inversionF#barred
75860x5th fretB, root positionC#1 open string
75x6765th fretB, root positionA#all fretted
7987797th fretB, root positionC#barred
9-9-9-11-11-109th fretC#, 9th in the bassDbarred
x-14-12-15-14-x12th fretB, root positionC#all fretted

The same notes rebuilt from scratch give 5 shell, 10 drop 2, 6 drop 3, 13 rootless and 4 open string voicings, each on its own page.

Tensions. A shell of BmMaj9, root, third and seventh, leaves a string free, and the tones that belong over it are the 11 (E) and the 13 (G#).

How to use BmMaj9

How you get to it. The turn that lands on BmMaj9 is C#m7♭5 to F#7♭9: the ii and the V of B minor, which is where a minor tonic is usually arrived at rather than simply begun on.

What to play over BmMaj9

Every note of BmMaj9 is in B harmonic minor and B melodic minor.

Chords near BmMaj9

Change one note of BmMaj9 and you have Bmaj9 (the minor third becomes a major third), Bm69 (the major seventh becomes a sixth), Bm9 (the major seventh becomes a flat seventh), BmMaj7 (drop the ninth), BmMaj11 (add the fourth) or Bmadd9 (drop the major seventh).

BmMaj9 is a minor chord — root, minor third, fifth. Minor chords on every root.

On BmMaj9’s sound and use this page follows Mark Levine, The Jazz Theory Book (Sher Music, 1995). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode