BmMaj9 guitar chord

Drop 3 · strings 6432 · 3rd inversion1 of 6

The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped.

Inversion
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  • Fingers, notes or intervals
  • Play the chord

About BmMaj9drop 3 voicings

BmMaj9 is B, D, F#, A# and C# BmMaj7 with the ninth added on top.

It sounds the same unease with more colour over it. The ninth softens the edge without resolving anything.

Minor tonic — melodic minor, extended.

BmMaj9 drop 3 guitar chord diagram: B, D, F#, A#, C#, played 6x042x
BmMaj9 drop 3, 6x042x — the shape above, as a picture.

BmMaj9 notes and formula

BDF#A#C#
1♭3579

Also written BmM9, Bm(maj9) or B-Δ9. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play BmMaj9

Drop 3
close
753R
dropped
75R3

The same operation one voice further down: the third voice from the top falls an octave and becomes the bass.

That leaves a bigger hole under the top three notes, so a string gets skipped: the muted string in the middle is the shape, not a mistake.

E×ADGB

BmMaj9 has 6 of them, on strings 6-4-3-2 and strings 5-3-2-1, from the 2nd fret up to the 10thevery inversion the chord has: B in the bass, D in the bass, A# in the bass and C# in the bass. The one to learn first is the A# shape at the 2nd fret.

4 of them sit on strings 6-4-3-2, so you can run the inversions up one set without changing strings — which is the whole reason to learn them as a family rather than as separate grips.

Five notes and four fingers, so something has to go. Keep D and A# (they fix the quality) and C# (what the symbol is about). Let F# and B go, in that order — a perfect fifth says nothing the root has not, and in a band the bass has the root.

Play BmMaj9 as a shell — root, third and seventh — and the spare string takes the 11 (E) or the 13 (G#).

All 7 common shapes as fret numbers, lowest string first. Hover or tap one to see it drawn.

  • x20322, open position, B, root position, top note F#, barred
  • 254322, 2nd fret, F#, 2nd inversion, top note F#, barred
  • 75860x, 5th fret, B, root position, top note C#, 1 open string
  • 75x676, 5th fret, B, root position, top note A#, all fretted
  • 798779, 7th fret, B, root position, top note C#, barred
  • 9-9-9-11-11-10, 9th fret, C#, 9th in the bass, top note D, barred
  • x-14-12-15-14-x, 12th fret, B, root position, top note C#, all fretted

How to use BmMaj9

How you get to it. The turn that lands on BmMaj9 is C#m7♭5 to F#7♭9: the ii and the V of B minor, which is where a minor tonic is usually arrived at rather than simply begun on.

What to play over BmMaj9

Every note of BmMaj9 is in B harmonic minor and B melodic minor.

Chords near BmMaj9

Change one note of BmMaj9 and you have Bmaj9 (the minor third becomes the major third), Bm69 (the major seventh becomes the sixth), Bm9 (the major seventh becomes the flat seventh), BmMaj7 (drop the ninth), BmMaj11 (add the eleventh) or Bmadd9 (drop the major seventh).

BmMaj9 is a minor chord — root, minor third, fifth. Minor chords on every root.

The common shapes and the derived voicings come from different places, and both are explained in how this site is built.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode