The standard grips this chord is usually shown with.
Am69 is A, C, E, F# and B — Am6 with the ninth added as well.
It sounds cool and entirely at rest. No seventh, so nothing leans: a common last chord of a minor tune.

| A | C | E | F# | B |
|---|---|---|---|---|
| 1 | ♭3 | 5 | 6 | 9 |
Minor tonic — nothing in it is pulling.
Also written Am6/9, Amin6/9 or A-6/9. The same chord either way; which spelling you meet depends on who wrote the chart.
Am69 in 2nd inversion puts E in the bass instead of A, the 5th of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.
One of Am69’s 10 common shapes does this: x77577.
Start with x04500 — no barre and 3 open strings. 1 of the 10 shapes here sits in open position. 6 of the 10 need a barre. Together they cover the neck from the 3rd fret to the 12th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| x04500 | open position | A, root position | E | 3 open strings |
| 5344xx | 3rd fret | A, root position | B | all fretted |
| x34455 | 3rd fret | C, 1st inversion | A | all fretted |
| 5x4557 | 4th fret | A, root position | B | barred |
| 5x7577 | 5th fret | A, root position | B | barred |
| xx7577 | 5th fret | A, root position | B | barred |
| x77577 | 5th fret | E, 2nd inversion | B | barred |
| 807977 | 7th fret | C, 1st inversion | B | barred |
| 877977 | 7th fret | C, 1st inversion | B | barred |
| x-12-10-11-12-x | 10th fret | A, root position | B | all fretted |
The same notes rebuilt from scratch give 3 shell, 12 drop 2, 9 drop 3, 12 rootless and 6 open string voicings, each on its own page.
Tensions. A shell of Am69, root, third and seventh, leaves a string free, and the tones that belong over it are the 11 (D).
How you get to it. The turn that lands on Am69 is Bm7♭5 to E7♭9: the ii and the V of A minor, which is where a minor tonic is usually arrived at rather than simply begun on.
In which keys. Every note of Am69 belongs to E minor (the iv, the subdominant) and G major (the ii, the supertonic).
Every note of Am69 is in A dorian and A melodic minor.
Change one note of Am69 and you have Am6 (drop the ninth), Am9 (the sixth becomes a flat seventh), AmMaj9 (the sixth becomes a major seventh), Amadd9 (drop the sixth), A69 (the minor third becomes a major third) or Am/F# (drop the ninth).
Am69 is a minor chord — root, minor third, fifth. Minor chords on every root.
On Am69’s sound and use this page follows Mark Levine, The Jazz Piano Book (Sher Music, 1989). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.
Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.