Em69

Em69 is E, G, B, C# and F#, a minor six-nine. The shape this page opens on is written 022022, lowest string first.

Also written Em6/9, Emin6/9 or E-6/9. The same chord either way; which spelling you meet depends on who wrote the chart.

There are 10 common shapes for Em69 on the guitar, and 46 derived voicings in 5 families.

In which keys. Every note of Em69 belongs to D major (the ii) and B minor (the iv).

The common shapes, written lowest string first: 022022, 322422, x7567x, 0-10-11-11-12-0, 12-10-11-11-x-x, x-10-11-11-12-12, 12-x-11-12-12-14, 12-x-14-12-14-14, x-x-14-12-14-14, x-14-14-12-14-14.

Shell. Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top. Em69 has xx2022, x7567x, 12-10-11-11-x-x, x-x-14-12-14-14, x7x022.

Drop 2. A close-position chord with the second voice from the top lowered an octave. Sits on four adjacent strings. Em69 has xx2022, 2420xx, x4405x, x7567x, 12-10-11-11-x-x, x-x-14-12-14-14, 3746xx, xx4653.

Drop 3. The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped. Em69 has 2x202x, x4x052, x7x673, 3x465x, 9x597x, x9x989, 12-x-11-11-8-x, x-10-x-11-14-12.

Rootless. The root left to the bass player. Frees a finger for a tension. Em69 has xx4423, x2402x, xx5677, x-10-11-11-12-x, x2x022, x4x473, x4547x, x9968x.

Open string. An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful. Em69 has 004423, 0x5677, 04547x, x45470, 00402x, 044000.

Tensions. A shell of Em69, root, third and seventh, leaves a string free, and the tones that belong over it are the 11 (A).

The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.