The standard grips this chord is usually shown with.
A9#11 is A, C#, E, G, B and D#, a nine sharp eleven. The shape this page opens on is written x01020, lowest string first.

Also written A9(#11), A9+11 or A9♯11. The same chord either way; which spelling you meet depends on who wrote the chart.
There are 7 common shapes for A9#11 on the guitar, and 25 derived voicings in 3 families.
The common shapes, written lowest string first: x01020, 545445, 5x564x, 565655, xx7889, x-12-11-12-12-11, x-12-13-12-14-x.
Shell. Root, third and seventh: the guide tones fix the quality, so the fifth is dropped. That is what leaves a string free, so pick a tension to put on top. A9#11 has 5454xx, x0564x, xx7687, x-12-11-12-12-x, 5x564x, 5458xx, x-12-x-12-14-11, x0x027.
Rootless. The root left to the bass player. Frees a finger for a tension. A9#11 has x2102x, x4544x, xx9889, x-x-11-12-12-11, x-14-13-12-14-x, xx1423, x4x443, xx5647.
Open string. An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful. A9#11 has 005647, 04544x, x45440.
Tensions. A shell of A9#11, root, third and seventh, leaves a string free, and the tones that belong over it are the b13 (F) and the 13 (F#).
The common shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.
Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.