Aaug7 guitar chord

3rd inversion · G in the bass
2 of 3
  • Tap a note to hear it
  • Arrows change position
  • Fingers, notes or intervals
  • Play the chord

About Aaug7 — 3rd inversion

Aaug7 is A, C#, E# and G. Start with and raise the 5th from to . You’ll also see this chord written A7♯5 or A7(♯5).

Hear that one-note change by comparing with Aaug7.

Hear the change

Only the 5th changes: E rises a half step to E♯. The other notes stay in place.

When Aaug7 resolves to , that can rise another half step to .

Also written A7#5, A+7 or A7(#5).

Aaug7 guitar chord diagram for the x-x-5-6-6-5 voicing
Aaug7 (A7♯5) guitar chord voicing: x-x-5-6-6-5.

What 3rd inversion means

Aaug7 in 3rd inversion puts G in the bass instead of A, the 7th of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.

3 of Aaug7’s 14 shapes do this:3x322xxx5665x-10-11-10-10-x

How to use Aaug7

Aaug7 is a dominant with its tension raised, so it still points at — harder than a plain seventh does. A plain dominant has two voices a semitone from home; an altered one has four, because every altered tone is also sitting a semitone from a note of D. More voices leaning the same way is all "more tension" means here.

In a phrase:→→

The ii–V–I of D.

Voice by voice, Aaug7 → . 3 voices move by a semitone, and one note is common to both chords. Every voice that moves at all moves by a semitone — the shortest distance there is, which is why the change sounds settled rather than sudden.

In Aaug7MovesIn D
A, the rootstays where it isA, the fifth
C#, the major thirdrises a semitoneD, the root
E#, the sharp fifthrises a semitoneF#, the major third
G, the flat seventhfalls a semitoneF#, the major third

What to play over Aaug7

Useful scales

Every scale

Chords near Aaug7

Change one note

  • open strings
    open strings
    G → G#

    Raise the flat seventh to the major seventh.

    See Amaj7#5 chord →
  • 2nd inversion
    2nd inversion
    E# → E

    Lower the sharp fifth to the fifth.

    See A7 chord →
  • 3rd inversion
    3rd inversion
    E# → Eb

    Replace the sharp fifth with the flat fifth.

    See A7b5 chord →
  • 2nd inversion
    open strings
    G → E

    Replace the flat seventh with the fifth.

    See A/F chord →
  • 3rd inversion
    E# → E

    Lower the sharp fifth to the fifth.

    See A/G chord →

Add a note

Altered dominant chords on every root

The common shapes and the derived voicings come from different places, and both are explained in how this site is built.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode