Fmaj13 guitar chord

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The standard grips this chord is usually shown with.

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About Fmaj13root position

Fmaj13 is F, A, C, E, G and D Fmaj9 with the thirteenth on top, and the eleventh left out.

It sounds full and wide open. Six notes into four fingers means something goes: keep the third, the seventh and the thirteenth.

Fmaj13 root position guitar chord diagram: F, A, C, E, G, D, played 100010
Fmaj13 root position, 100010 — the shape above, as a picture.

Fmaj13 notes and formula

Notes and interval formula
FACEGD
1357913

Tonic — the major sound with most of the scale showing.

Also written FM13, FΔ13 or F major 13. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play Fmaj13

Fmaj13 in root position puts F in the bass, which is the chord as it is spelled: the note it is named after underneath everything else.

7 of Fmaj13’s 8 common shapes do this: 100010, 112231, xx3230, x87755, x85755, x-8-8-9-10-10, 13-12-12-12-13-12.

Start with 100010no barre and 4 open strings. 2 of the 8 shapes here sit in open position. 4 of the 8 need a barre. Together they cover the neck from the 1st fret to the 13th.

Every common shape for Fmaj13
FretsWhereBassTopHand
100010open positionF, root positionE4 open strings
1122311st fretF, root positionFbarred
xx3230open positionF, root positionE1 open string
x533553rd fretD, 13th in the bassAbarred
x877555th fretF, root positionAall fretted
x857555th fretF, root positionAbarred
x-8-8-9-10-108th fretF, root positionDall fretted
13-12-12-12-13-1212th fretF, root positionEbarred

The same notes rebuilt from scratch give 3 shell, 13 drop 2, 9 drop 3, 26 rootless and 6 open string voicings, each on its own page.

Tensions. A shell of Fmaj13, root, third and seventh, leaves a string free, and the tones that belong over it are the #11 (B).

How to use Fmaj13

How you get to it. The turn that lands on Fmaj13 is Gm7 to C7 — the ii and the V of F — and C7 shares its third and seventh with Gm7, so the hand barely moves between them.

In which keys. Every note of Fmaj13 belongs to C major (the IV, the subdominant), D minor (the ♭III), F major (the I, the tonic) and A minor (the ♭VI).

What to play over Fmaj13

Every note of Fmaj13 is in F major and F lydian.

Chords near Fmaj13

Change one note of Fmaj13 and you have Fmaj9 (drop the sixth), Fmaj11 (the sixth becomes a fourth), F69 (drop the major seventh) or F13 (the major seventh becomes a flat seventh).

Fmaj13 is a major chord — root, major third, fifth. Major chords on every root.

On Fmaj13’s sound and use this page follows Ted Pease & Ken Pullig, Modern Jazz Voicings (Berklee Press, 2001). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode