Ebaug guitar chord

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The standard grips this chord is usually shown with.

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About Ebaugroot position

Ebaug is Eb, G and B Eb with the fifth raised a semitone.

It sounds stretched, and suspended between keys. Its commonest job is passing between a major triad and its sixth or seventh, with the raised fifth as a single voice walking up.

Ebaug root position guitar chord diagram: Eb, G, B, played x6544x
Ebaug root position, x6544x — the shape above, as a picture.

Ebaug notes and formula

Notes and interval formula
EbGB
13♯5

Passing chord — it belongs to no key in particular.

Also written Eb+, Eb(#5) or Eb augmented. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play Ebaug

Ebaug in root position puts Eb in the bass, which is the chord as it is spelled: the note it is named after underneath everything else.

7 of Ebaug’s 8 common shapes do this: x6544x, x6x887, x6988x, xxx887, 11-10-9-8-8-x, 11-x-13-12-12-11, x-x-13-12-12-11.

Start with xxx887only 3 fretted notes. None of the shapes for Ebaug uses an open string, so every one of them is movable; the lowest sits at the 3rd fret. None of them needs a barre. Together they cover the neck from the 3rd fret to the 13th.

Every common shape for Ebaug
FretsWhereBassTopHand
xx54433rd fretG, 1st inversionGall fretted
x6544x4th fretEb, root positionEball fretted
x6x8876th fretEb, root positionBall fretted
x6988x6th fretEb, root positionGall fretted
xxx8877th fretEb, root positionBall fretted
11-10-9-8-8-x8th fretEb, root positionGall fretted
11-x-13-12-12-1111th fretEb, root positionEball fretted
x-x-13-12-12-1111th fretEb, root positionEball fretted

The same notes rebuilt from scratch give 46 triad and 2 open string voicings, each on its own page.

What to play over Ebaug

Every note of Ebaug is in Eb whole tone and Eb altered.

Chords near Ebaug

Change one note of Ebaug and you have Eb (the sharp fifth becomes a fifth), Ebmaj7#5 (add the major seventh) or Ebaug7 (add the flat seventh).

Ebaug is a augmented chord — root, major third, sharp fifth. Augmented chords on every root.

On Ebaug’s sound and use this page follows Stefan Kostka, Dorothy Payne & Byron Almén, Tonal Harmony (McGraw-Hill, 8th ed., 2018). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode