The standard grips this chord is usually shown with.
DmMaj11 is D, F, A, C#, E and G — DmMaj9 with the eleventh added on top.
It sounds dense and unresolved. Something is always omitted; the ♭3 and the natural 7 are what must not be.

| D | F | A | C# | E | G |
|---|---|---|---|---|---|
| 1 | ♭3 | 5 | 7 | 9 | 11 |
Minor tonic — the melodic minor as far up as a guitar carries it.
Also written DmM11 or Dm(maj11). The same chord either way; which spelling you meet depends on who wrote the chart.
DmMaj11 in root position puts D in the bass, which is the chord as it is spelled: the note it is named after underneath everything else.
6 of DmMaj11’s 7 common shapes do this: xx0021, x53653, x55665, x55775, 10-10-11-10-10-12, x-x-12-12-14-13.
Start with xx0021 — no barre and 2 open strings. 1 of the 7 shapes here sits in open position. 4 of the 7 need a barre. Together they cover the neck from the 1st fret to the 14th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| xx0021 | open position | D, root position | F | 2 open strings |
| x53653 | 3rd fret | D, root position | G | all fretted |
| x55665 | 5th fret | D, root position | A | barred |
| x55775 | 5th fret | D, root position | A | barred |
| 10-10-11-10-10-12 | 10th fret | D, root position | E | barred |
| x-x-12-12-14-13 | 12th fret | D, root position | F | all fretted |
| x-12-12-12-14-13 | 12th fret | A, 2nd inversion | F | barred |
The same notes rebuilt from scratch give 6 shell, 13 drop 2, 9 drop 3, 27 rootless and 6 open string voicings, each on its own page.
Tensions. A shell of DmMaj11, root, third and seventh, leaves a string free, and the tones that belong over it are the 13 (B).
How you get to it. The turn that lands on DmMaj11 is Em7♭5 to A7♭9: the ii and the V of D minor, which is where a minor tonic is usually arrived at rather than simply begun on.
Every note of DmMaj11 is in D harmonic minor and D melodic minor.
Change one note of DmMaj11 and you have Dmaj11 (the minor third becomes a major third), Dm11 (the major seventh becomes a flat seventh) or DmMaj9 (drop the fourth).
DmMaj11 is a minor chord — root, minor third, fifth. Minor chords on every root.
On DmMaj11’s sound and use this page follows Ted Pease & Ken Pullig, Modern Jazz Voicings (Berklee Press, 2001). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.
Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.