DmMaj11 guitar chord
The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped.
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About DmMaj11 — drop 3 voicings
DmMaj11 is D, F, A, C#, E and G — DmMaj9 with the eleventh added on top.
It sounds dense and unresolved. Something is always omitted; the ♭3 and the natural 7 are what must not be.
DmMaj11 notes and formula
| D | F | A | C# | E | G |
|---|---|---|---|---|---|
| 1 | ♭3 | 5 | 7 | 9 | 11 |
Minor tonic — the melodic minor as far up as a guitar carries it.
Also written DmM11 or Dm(maj11). The same chord either way; which spelling you meet depends on who wrote the chart.
How to play DmMaj11
The same operation one voice further down: the third voice from the top falls an octave and becomes the bass.
That leaves a bigger hole under the top three notes, so a string gets skipped: the muted string in the middle is the shape, not a mistake.
DmMaj11 has 9 of them, on strings 6-4-3-2 and strings 5-3-2-1, from open position up to the 12th — every inversion the chord has: D in the bass, F in the bass, C# in the bass and G in the bass. The one to learn first is the F shape at the nut.
5 of them sit on strings 6-4-3-2, so you can run the inversions up one set without changing strings — which is the whole reason to learn them as a family rather than as separate grips.
Start with xx0021 — no barre and 2 open strings. 1 of the 7 shapes here sits in open position. 4 of the 7 need a barre. Together they cover the neck from the 1st fret to the 14th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| xx0021 | open position | D, root position | F | 2 open strings |
| x53653 | 3rd fret | D, root position | G | all fretted |
| x55665 | 5th fret | D, root position | A | barred |
| x55775 | 5th fret | D, root position | A | barred |
| 10-10-11-10-10-12 | 10th fret | D, root position | E | barred |
| x-x-12-12-14-13 | 12th fret | D, root position | F | all fretted |
| x-12-12-12-14-13 | 12th fret | A, 2nd inversion | F | barred |
The same notes rebuilt from scratch give 6 shell, 13 drop 2, 27 rootless and 6 open string voicings, each on its own page.
Tensions. A shell of DmMaj11, root, third and seventh, leaves a string free, and the tones that belong over it are the 13 (B).
How to use DmMaj11
How you get to it. The turn that lands on DmMaj11 is Em7♭5 to A7♭9: the ii and the V of D minor, which is where a minor tonic is usually arrived at rather than simply begun on.
What to play over DmMaj11
Every note of DmMaj11 is in D harmonic minor and D melodic minor.
Chords near DmMaj11
Change one note of DmMaj11 and you have Dmaj11 (the minor third becomes a major third), Dm11 (the major seventh becomes a flat seventh) or DmMaj9 (drop the fourth).
DmMaj11 is a minor chord — root, minor third, fifth. Minor chords on every root.
On DmMaj11’s sound and use this page follows Ted Pease & Ken Pullig, Modern Jazz Voicings (Berklee Press, 2001). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.