Cmaj13 guitar chord

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The standard grips this chord is usually shown with.

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About Cmaj13root position

Cmaj13 is C, E, G, B, D and A Cmaj9 with the thirteenth on top, and the eleventh left out.

It sounds full and wide open. Six notes into four fingers means something goes: keep the third, the seventh and the thirteenth.

Cmaj13 root position guitar chord diagram: C, E, G, B, D, A, played x32201
Cmaj13 root position, x32201 — the shape above, as a picture.

Cmaj13 notes and formula

Notes and interval formula
CEGBDA
1357913

Tonic — the major sound with most of the scale showing.

Also written CM13, CΔ13 or C major 13. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play Cmaj13

Cmaj13 in root position puts C in the bass, which is the chord as it is spelled: the note it is named after underneath everything else.

6 of Cmaj13’s 7 common shapes do this: x32201, x33455, 877787, 8-8-9-9-10-8, x-15-12-14-12-12, x-15-14-14-12-12.

Start with x32201no barre and 1 open string. 1 of the 7 shapes here sits in open position. 4 of the 7 need a barre. Together they cover the neck from the 1st fret to the 15th.

Every common shape for Cmaj13
FretsWhereBassTopHand
x32201open positionC, root positionF1 open string
x334553rd fretC, root positionAall fretted
8777877th fretC, root positionBbarred
8-8-9-9-10-88th fretC, root positionCbarred
x-12-10-10-12-1210th fretA, 13th in the bassEbarred
x-15-12-14-12-1212th fretC, root positionEbarred
x-15-14-14-12-1212th fretC, root positionEall fretted

The same notes rebuilt from scratch give 2 shell, 13 drop 2, 9 drop 3, 25 rootless and 6 open string voicings, each on its own page.

Tensions. A shell of Cmaj13, root, third and seventh, leaves a string free, and the tones that belong over it are the #11 (F#).

How to use Cmaj13

How you get to it. The turn that lands on Cmaj13 is Dm7 to G7 — the ii and the V of C — and G7 shares its third and seventh with Dm7, so the hand barely moves between them.

In which keys. Every note of Cmaj13 belongs to C major (the I, the tonic), E minor (the ♭VI), G major (the IV, the subdominant) and A minor (the ♭III).

What to play over Cmaj13

Every note of Cmaj13 is in C major and C lydian.

Chords near Cmaj13

Change one note of Cmaj13 and you have Cmaj9 (drop the sixth), Cmaj11 (the sixth becomes a fourth), C69 (drop the major seventh) or C13 (the major seventh becomes a flat seventh).

Cmaj13 is a major chord — root, major third, fifth. Major chords on every root.

On Cmaj13’s sound and use this page follows Ted Pease & Ken Pullig, Modern Jazz Voicings (Berklee Press, 2001). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode