Cmaj13 guitar chord

13th in bass · A in the bass
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About Cmaj13inversions voicings

Cmaj13 is C, E, G, B, D and A with the thirteenth on top, and the eleventh left out.

It sounds full and wide open. Everything the major scale offers except the eleventh, which is left out because it fights the third.

Tonic — the major sound with most of the scale showing.

Also written CM13, CΔ13 or C major 13.

Cmaj13 inversions guitar chord diagram: C, E, G, B, D, A, played x-12-10-10-12-12
Cmaj13 inversions, x-12-10-10-12-12 — the shape above, as a picture.

What an inversion is

How to use Cmaj13

How you get to it. The turn that lands on Cmaj13 is to — the ii and the V of C — and shares its third and seventh with , so the hand barely moves between them.

Hear it land:

In which keys. Every note of Cmaj13 belongs to C major (the I, the tonic), E minor (the ♭VI), G major (the IV, the subdominant) and A minor (the ♭III).

What to play over Cmaj13

Every note of Cmaj13 is in C major and C lydian.

Each of those is a page: the scale across the neck, and the chords it harmonises into — which is where Cmaj13 sits in it. Every scale.

Chords near Cmaj13

Change one note of Cmaj13 and you have (drop the thirteenth), (the thirteenth becomes the eleventh), (drop the major seventh) or (the major seventh becomes the flat seventh).

Cmaj13 is a major chord — root, major third, fifth. Major chords on every root.

The common shapes and the derived voicings come from different places, and both are explained in how this site is built.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode