Cm69 guitar chord
The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped.
- Tap a note to hear it
- Arrows change position
- Fingers, notes or intervals
- Play the chord
About Cm69 — drop 3 voicings
Cm69 is C, Eb, G, A and D — Cm6 with the ninth added as well.
It sounds cool and entirely at rest. No seventh, so nothing leans: a common last chord of a minor tune.
Cm69 notes and formula
| C | Eb | G | A | D |
|---|---|---|---|---|
| 1 | ♭3 | 5 | 6 | 9 |
Minor tonic — nothing in it is pulling.
Also written Cm6/9, Cmin6/9 or C-6/9. The same chord either way; which spelling you meet depends on who wrote the chart.
How to play Cm69
The same operation one voice further down: the third voice from the top falls an octave and becomes the bass.
That leaves a bigger hole under the top three notes, so a string gets skipped: the muted string in the middle is the shape, not a mistake.
Cm69 has 8 of them, on strings 6-4-3-2 and strings 5-3-2-1, from open position up to the 11th — every inversion the chord has: C in the bass, Eb in the bass, A in the bass and D in the bass. The one to learn first is the A shape at the nut.
4 of them sit on strings 6-4-3-2, so you can run the inversions up one set without changing strings — which is the whole reason to learn them as a family rather than as separate grips.
Start with x30045 — no barre and 2 open strings. 1 of the 10 shapes here sits in open position. 5 of the 10 need a barre. Together they cover the neck from the 1st fret to the 15th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| x3123x | 1st fret | C, root position | D | all fretted |
| x30045 | open position | C, root position | A | 2 open strings |
| 8677xx | 6th fret | C, root position | D | all fretted |
| x67788 | 6th fret | Eb, 1st inversion | C | all fretted |
| 8-x-7-8-8-10 | 7th fret | C, root position | D | barred |
| 8-x-10-8-10-10 | 8th fret | C, root position | D | barred |
| x-x-10-8-10-10 | 8th fret | C, root position | D | barred |
| x-10-10-8-10-10 | 8th fret | G, 2nd inversion | D | barred |
| 11-10-10-12-10-10 | 10th fret | Eb, 1st inversion | D | barred |
| x-15-13-14-15-x | 13th fret | C, root position | D | all fretted |
The same notes rebuilt from scratch give 4 shell, 13 drop 2, 14 rootless and 4 open string voicings, each on its own page.
Tensions. A shell of Cm69, root, third and seventh, leaves a string free, and the tones that belong over it are the 11 (F).
How to use Cm69
How you get to it. The turn that lands on Cm69 is Dm7♭5 to G7♭9: the ii and the V of C minor, which is where a minor tonic is usually arrived at rather than simply begun on.
In which keys. Every note of Cm69 belongs to G minor (the iv, the subdominant) and Bb major (the ii, the supertonic).
What to play over Cm69
Every note of Cm69 is in C dorian and C melodic minor.
Chords near Cm69
Change one note of Cm69 and you have Cm6 (drop the ninth), Cm9 (the sixth becomes a flat seventh), CmMaj9 (the sixth becomes a major seventh), Cmadd9 (drop the sixth) or C69 (the minor third becomes a major third).
Cm69 is a minor chord — root, minor third, fifth. Minor chords on every root.
On Cm69’s sound and use this page follows Mark Levine, The Jazz Piano Book (Sher Music, 1989). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.