An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful.
Cdim7 is C, Eb, Gb and A — Cdim with a diminished seventh stacked on top.
It sounds suspenseful and rootless. Three stacked minor thirds divide the octave evenly, so the same four notes spell four dim7 chords and the shape repeats every three frets.
Leading-tone or passing chord — it can resolve almost anywhere.

| C | Eb | Gb | A |
|---|---|---|---|
| 1 | ♭3 | ♭5 | ♭♭7 |
Also written C°7, Co7 or C diminished 7. The same chord either way; which spelling you meet depends on who wrote the chart.
An open string left ringing against a fretted grip. It costs no finger, so it can sound a note the closed shape has none left for: a tension on top, or a pedal root underneath.
These belong to their key rather than to a shape: they cannot be moved up the neck. D, A, G and E have many; E♭ has a handful.
Cdim7 has 1 of them, only on strings 6-5-4-3-2, all of them at the 4th fret — all in one inversion, so the bass note never moves. The one to learn first is the Bbb shape at the 4th fret, which is the easiest grip here.
Play Cdim7 as a shell — root, third and seventh — and the spare string takes the 9 (D), the 11 (F), the b13 (Ab) or the maj7 (B).
All 7 common shapes as fret numbers, lowest string first. Hover or tap one to see it drawn.
A diminished seventh divides the octave evenly, so Cdim7 has no single root and no single destination: it can lead to F or to Db, and it is the same four notes either way.
Every note of Cdim7 is in C diminished and C half-whole diminished.
Change one note of Cdim7 and you have Cdim (drop the diminished seventh), Cm6 (the flat fifth becomes the fifth), Cm7b5 (the diminished seventh becomes the flat seventh) or CmMaj7b5 (the diminished seventh becomes the major seventh).
Cdim7 is a diminished chord — root, minor third, flat fifth. Diminished and half-diminished chords on every root.
The common shapes and the derived voicings come from different places, and both are explained in how this site is built.
Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.