Bdim7 guitar chord
An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful.
- Tap a note to hear it
- Arrows change position
- Fingers, notes or intervals
- Play the chord
About Bdim7 — open string voicings
Bdim7 is B, D, F and Ab — Bdim with a diminished seventh stacked on top.
It sounds suspenseful and rootless. Three stacked minor thirds divide the octave evenly, so the same four notes spell four dim7 chords and the shape repeats every three frets.
Bdim7 notes and formula
| B | D | F | Ab |
|---|---|---|---|
| 1 | ♭3 | ♭5 | ♭♭7 |
Leading-tone or passing chord — it can resolve almost anywhere.
Also written B°7, Bo7 or B diminished 7. The same chord either way; which spelling you meet depends on who wrote the chart.
How to play Bdim7
An open string left ringing against a fretted grip. It costs no finger, so it can sound a note the closed shape has none left for: a tension on top, or a pedal root underneath.
These belong to their key rather than to a shape: they cannot be moved up the neck. D, A, G and E have many; E♭ has a handful.
Bdim7 has 5 of them, on strings 6-4-3-2-1, strings 6-5-4-3-2-1 and strings 5-4-3-2-1, from the 3rd fret up to the 6th — every inversion the chord has: B in the bass, D in the bass and Ab in the bass. The one to learn first is the Ab shape at the 3rd fret, which is the easiest grip here.
3 of them sit on strings 6-4-3-2-1, so you can run the inversions up one set without changing strings — which is the whole reason to learn them as a family rather than as separate grips.
Start with xx3434 — no barre and low, at the 3rd fret. None of the shapes for Bdim7 uses an open string, so every one of them is movable; the lowest sits at the 1st fret. 2 of the 7 need a barre. Together they cover the neck from the 1st fret to the 15th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| x23131 | 1st fret | B, root position | F | all fretted |
| xx3434 | 3rd fret | F, 2nd inversion | Ab | all fretted |
| 7x6767 | 6th fret | B, root position | B | barred |
| 789797 | 7th fret | B, root position | B | barred |
| x-x-9-10-9-10 | 9th fret | B, root position | D | all fretted |
| x-x-12-13-12-13 | 12th fret | D, 1st inversion | F | all fretted |
| x-14-15-13-15-13 | 13th fret | B, root position | F | all fretted |
The same notes rebuilt from scratch give 7 shell, 15 drop 2 and 10 drop 3 voicings, each on its own page.
Tensions. A shell of Bdim7, root, third and seventh, leaves a string free, and the tones that belong over it are the 9 (C#), the 11 (E), the b13 (G) and the maj7 (A#).
How to use Bdim7
A diminished seventh divides the octave evenly, so Bdim7 has no single root and no single destination: it can lead to E or to C, and it is the same four notes either way.
What to play over Bdim7
Every note of Bdim7 is in B diminished and B half-whole diminished.
Chords near Bdim7
Change one note of Bdim7 and you have Bdim (drop the sixth), Bm6 (the flat fifth becomes a fifth), Bm7b5 (the sixth becomes a flat seventh) or BmMaj7b5 (the sixth becomes a major seventh).
Bdim7 is a diminished chord — root, minor third, flat fifth. Diminished and half-diminished chords on every root.
On Bdim7’s sound and use this page follows Stefan Kostka, Dorothy Payne & Byron Almén, Tonal Harmony (McGraw-Hill, 8th ed., 2018). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.