Ab9b5 guitar chord

2nd inversion · Ebb in the bass

The standard grips this chord is usually shown with.

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About Ab9b52nd inversion

Ab9b5 is Ab, C, D, Gb and Bb Ab7b5 with the natural ninth added over it.

It sounds sleek and tense. Played as a tritone substitution the ♭5 is the root of the dominant it replaced.

Ab9b5 2nd inversion guitar chord diagram: Ab, C, D, Gb, Bb, played x56576
Ab9b5 2nd inversion, x56576 — the shape above, as a picture.

Ab9b5 notes and formula

Notes and interval formula
AbCDGbBb
13♭5♭79

Altered dominant — commonly the tritone substitute.

Also written Ab9(b5), Ab9-5 or Ab9♭5. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play Ab9b5

Ab9b5 in 2nd inversion puts Ebb in the bass instead of Ab, the 5th of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.

One of Ab9b5’s 5 common shapes does this: x56576.

Start with 4303x2no barre and 1 open string. 1 of the 5 shapes here sits in open position. 2 of the 5 need a barre. Together they cover the neck from the 2nd fret to the 11th.

Every common shape for Ab9b5
FretsWhereBassTopHand
4343343rd fretAb, root positionAbbarred
4303x2open positionAb, root positionGb1 open string
4545x64th fretAb, root positionBball fretted
x565765th fretEbb, 2nd inversionBball fretted
x-11-10-11-11-1010th fretAb, root positionDbarred

The same notes rebuilt from scratch give 8 shell, 14 rootless and 1 open string voicings, each on its own page.

Tensions. A shell of Ab9b5, root, third and seventh, leaves a string free, and the tones that belong over it are the b13 (Fb) and the 13 (F).

How to use Ab9b5

Ab9b5 is a dominant with its tension raised, so it still points at Db — harder than a plain seventh does, because the altered tones sit a semitone from where they are going.

What to play over Ab9b5

Every note of Ab9b5 is in Ab whole tone and Ab lydian dominant.

Chords near Ab9b5

Change one note of Ab9b5 and you have Ab7b5 (drop the ninth), Ab9 (the flat fifth becomes a fifth), Abaug9 (the flat fifth becomes a sharp fifth) or Ab9#11 (add the fifth).

Ab9b5 is an altered chord — a dominant seventh with its fifth or ninth moved. Altered dominant chords on every root.

On Ab9b5’s sound and use this page follows Mark Levine, The Jazz Theory Book (Sher Music, 1995). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode