An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful.
Asus2sus4 is A, B, D and E — Asus4 with the second added underneath the fourth.
It sounds ringing and deliberately ambiguous. Read another way it is a stack of fourths, which is why it works as a pad rather than as a chord that resolves.

| A | B | D | E |
|---|---|---|---|
| 1 | 2 | 4 | 5 |
Texture more than function — still no third.
Also written Asus2/4 or A suspended 2nd and 4th. The same chord either way; which spelling you meet depends on who wrote the chart.
An open string left ringing against a fretted grip. It costs no finger, so it can sound a note the closed shape has none left for: a tension on top, or a pedal root underneath.
These belong to their key rather than to a shape: they cannot be moved up the neck. D, A, G and E have many; E♭ has a handful.
Asus2sus4 has 6 of them, on strings 5-4-3-2-1, the middle four strings, strings 6-4-3-2-1, strings 6-5-4-3-2, the bottom four strings and strings 6-5-4-3-2-1, from the 2nd fret up to the 7th — every inversion the chord has: A in the bass and E in the bass. The one to learn first is the A shape at the 2nd fret, which is the easiest grip here.
Start with x00200 — no barre and 4 open strings. 1 of the 5 shapes here sits in open position. 2 of the 5 need a barre. Together they cover the neck from the 2nd fret to the 14th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| x00200 | open position | A, root position | E | 4 open strings |
| 5524xx | 2nd fret | A, root position | B | all fretted |
| 557757 | 5th fret | A, root position | B | barred |
| x-12-9-9-10-10 | 9th fret | A, root position | D | all fretted |
| x-12-12-14-12-12 | 12th fret | A, root position | E | barred |
The same notes rebuilt from scratch give 15 drop 2 and 10 drop 3 voicings, each on its own page.
In which keys. Every note of Asus2sus4 belongs to C major (the vi), D major (the V), E minor (the iv), F# minor (the ♭III), G major (the ii), A major (the I), A minor (the i) and B minor (the ♭VII).
Every note of Asus2sus4 is in A major, A mixolydian, A dorian, A natural minor and A harmonic minor.
Change one note of Asus2sus4 and you have Asus2 (drop the fourth), Asus4 (drop the ninth), Aadd9 (the fourth becomes a major third), Amadd9 (the fourth becomes a minor third), A7sus4 (the ninth becomes a flat seventh) or A11 (add the flat seventh).
Asus2sus4 is a suspended chord — root and fifth, with a second or fourth where the third would be — or nothing at all. Suspended and power chords on every root.
On Asus2sus4’s sound and use this page follows Robert Rawlins & Nor Eddine Bahha, Jazzology (Hal Leonard, 2005). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.
Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.