Am9 guitar chord

1st inversion · C in the bass1 of 3

The standard grips this chord is usually shown with.

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About Am91st inversion

Am9 is A, C, E, G and B Am7 with the ninth stacked above it.

It sounds warm, and considerably richer than an m7. The standard voicing for a ii chord once the plain one has been played enough.

Am9 1st inversion guitar chord diagram: A, C, E, G, B, played x35455
Am9 1st inversion, x35455 — the shape above, as a picture.

Am9 notes and formula

Notes and interval formula
ACEGB
1♭35♭79

Pre-dominant or minor tonic — an m7’s job with more colour.

Also written Amin9, A-9 or A minor 9. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play Am9

Am9 in 1st inversion puts C in the bass instead of A, the 3rd of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.

3 of Am9’s 9 common shapes do this: x35455, 809080, 8-10-9-9-10-8.

Start with x02413no barre and 1 open string. 1 of the 9 shapes here sits in open position. 4 of the 9 need a barre. Together they cover the neck from the 1st fret to the 12th.

Every common shape for Am9
FretsWhereBassTopHand
x222131st fretB, 9th in the bassGbarred
x02413open positionA, root positionG1 open string
xx24131st fretE, 2nd inversionGall fretted
53x4533rd fretA, root positionGall fretted
x354553rd fretC, 1st inversionAbarred
5755575th fretA, root positionBbarred
8090808th fretC, 1st inversionG3 open strings
8-10-9-9-10-88th fretC, 1st inversionCall fretted
x-12-10-12-12-x10th fretA, root positionBbarred

The same notes rebuilt from scratch give 3 shell, 12 drop 2, 9 drop 3, 14 rootless and 6 open string voicings, each on its own page.

Tensions. A shell of Am9, root, third and seventh, leaves a string free, and the tones that belong over it are the 11 (D) and the 13 (F#).

How to use Am9

How you get to it. The turn that lands on Am9 is Bm7♭5 to E7♭9: the ii and the V of A minor, which is where a minor tonic is usually arrived at rather than simply begun on.

In which keys. Every note of Am9 belongs to C major (the vi, the submediant), E minor (the iv, the subdominant), G major (the ii, the supertonic) and A minor (the i, the tonic).

What to play over Am9

Every note of Am9 is in A dorian and A natural minor.

Chords near Am9

Change one note of Am9 and you have Am69 (the flat seventh becomes a sixth), Am7 (drop the ninth), Am11 (add the fourth), AmMaj9 (the flat seventh becomes a major seventh), Amadd9 (drop the flat seventh) or A9 (the minor third becomes a major third).

Am9 is a minor chord — root, minor third, fifth. Minor chords on every root.

On Am9’s sound and use this page follows Mark Levine, The Jazz Theory Book (Sher Music, 1995). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode