GmMaj9 guitar chord

1st inversion · Bb in the bass
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About GmMaj9 — 1st inversion

GmMaj9 is G, Bb, D, F# and A. It keeps every note of and adds the .

GmMaj9 and both contain the 9th. The difference is the 7th: GmMaj9 uses , while uses the flat 7th.

Choose between them by the seventh under a held 9th. The minor 3rd remains in both chords.

Also written GmM9, Gm(maj9) or G-Δ9.

GmMaj9 1st inversion guitar chord diagram: G, Bb, D, F#, A, played xx8775
GmMaj9 1st inversion guitar chord voicing: x-x-8-7-7-5.

What 1st inversion means

GmMaj9 in 1st inversion puts Bb in the bass instead of G, the 3rd of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.

One of GmMaj9’s 9 shapes does this:xx8775

How to use GmMaj9

How you get to it. The turn that lands on GmMaj9 is to : the ii and the V of G minor, which is where a minor tonic is usually arrived at rather than simply begun on.

Hear it land:→→

What to play over GmMaj9

Useful scales

Every scale

Chords near GmMaj9

Change one note

  • 3rd inversion
    3rd inversion
    Bb → B

    Raise the minor third to the major third.

    See Gmaj9 chord →
  • F# → E

    Replace the major seventh with the sixth.

    See Gm69 chord →
  • open strings
    open strings
    F# → F

    Lower the major seventh to the flat seventh.

    See Gm9 chord →

Add a note

Minor chords on every root

The common shapes and the derived voicings come from different places, and both are explained in how this site is built.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode