F9 guitar chord

Open string · ringing #11+13 · strings 65432 · 1st inversion1 of 3

An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful.

Inversion
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About F9open string voicings

F9 is F, A, C, Eb and G F7 with the ninth stacked on top.

It sounds bright and full, still clearly pulling. The ninth adds height without softening the tritone underneath it, which is why funk and soul comp on this rather than on a plain 7.

F9 open string guitar chord diagram: F, A, C, Eb, G, played 56000x
F9 open string, 56000x — the shape above, as a picture.

F9 notes and formula

Notes and interval formula
FACEbG
135♭79

Dominant — the same pull as a 7, with more colour.

Also written Fdom9 or F dominant 9. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play F9

Open-string voicing
×EADGBE

An open string left ringing against a fretted grip. It costs no finger, so it can sound a note the closed shape has none left for: a tension on top, or a pedal root underneath.

These belong to their key rather than to a shape: they cannot be moved up the neck. D, A, G and E have many; E♭ has a handful.

F9 has 3 of them, on strings 6-5-4-3-2 and the middle four strings, from the 3rd fret up to the 6thevery inversion the chord has: A in the bass and Eb in the bass. The one to learn first is the A shape at the 3rd fret, which is the easiest grip here.

Start with xx3243no barre and down at the nut. None of the shapes for F9 uses an open string, so every one of them is movable; the lowest sits at the 1st fret. 6 of the 9 need a barre. Together they cover the neck from the 1st fret to the 15th.

Every common shape for F9
FretsWhereBassTopHand
1312131st fretF, root positionGbarred
xx32432nd fretF, root positionGall fretted
5x35433rd fretA, 1st inversionGall fretted
x878887th fretF, root positionCbarred
x-10-10-10-10-1110th fretG, 9th in the bassEbbarred
13-10-10-12-10-1110th fretF, root positionEbbarred
13-12-13-12-x-x12th fretF, root positionGall fretted
13-15-13-12-13-1512th fretF, root positionGbarred
13-15-13-14-13-1513th fretF, root positionGbarred

The same notes rebuilt from scratch give 4 shell, 13 drop 2, 8 drop 3 and 14 rootless voicings, each on its own page.

Tensions. A shell of F9, root, third and seventh, leaves a string free, and the tones that belong over it are the #11 (B), the b13 (Db) and the 13 (D).

How to use F9

F9 is the V of Bb, and that is where it goes if it goes anywhere: the third and the flat seventh are a tritone apart, and both resolve by a semitone into Bb.

Voice by voice, F9Bb. 2 voices move by a semitone, and one note is common to both chords.

In F9MovesIn Bb
F, the rootstays where it isF, the fifth
A, the major thirdrises a semitoneBb, the root
C, the fifthfalls a whole toneBb, the root
Eb, the flat seventhfalls a semitoneD, the major third
G, the ninthfalls a whole toneF, the fifth

In which keys. Every note of F9 belongs to G minor (the ♭VII) and Bb major (the V, the dominant).

What to play over F9

Every note of F9 is in F mixolydian and F lydian dominant.

Chords near F9

Change one note of F9 and you have Fmaj9 (the flat seventh becomes a major seventh), Fm9 (the major third becomes a minor third), Fadd9 (drop the flat seventh), F69 (the flat seventh becomes a sixth), F7 (drop the ninth) or F9b5 (the fifth becomes a flat fifth).

F9 is a dominant chord — root, major third, fifth, minor seventh. Dominant seventh chords on every root.

On F9’s sound and use this page follows Mark Levine, The Jazz Theory Book (Sher Music, 1995). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode