The standard grips this chord is usually shown with.
Esus4 is E, A and B — E with the third replaced by the fourth.
It sounds suspended mid-air. Played before the plain chord it is the oldest tension-and-release move there is.

| E | A | B |
|---|---|---|
| 1 | 4 | 5 |
Suspended — classically it resolves down onto the third.
Also written Esus or E suspended 4th. The same chord either way; which spelling you meet depends on who wrote the chart.
Esus4 in root position puts E in the bass, which is the chord as it is spelled: the note it is named after underneath everything else.
7 of Esus4’s 9 common shapes do this: 022200, 022455, xx2455, x7745x, x-7-9-9-10-7, 12-x-9-9-10-12, 12-14-14-14-12-12.
Start with xx2455 — no barre and down at the nut. 2 of the 9 shapes here sit in open position. 2 of the 9 need a barre. Together they cover the neck from the 2nd fret to the 14th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| 022200 | open position | E, root position | E | barred |
| 022455 | open position | E, root position | A | 1 open string |
| xx2455 | 2nd fret | E, root position | A | all fretted |
| x7745x | 4th fret | E, root position | E | all fretted |
| x-7-9-9-10-7 | 7th fret | E, root position | B | all fretted |
| x-x-9-9-10-0 | 9th fret | B, 2nd inversion | A | 1 open string |
| 12-x-9-9-10-12 | 9th fret | E, root position | E | all fretted |
| x-x-9-9-10-12 | 9th fret | B, 2nd inversion | E | all fretted |
| 12-14-14-14-12-12 | 12th fret | E, root position | E | barred |
The same notes rebuilt from scratch give 49 triad and 5 open string voicings, each on its own page.
Voice by voice, Esus4 → E. One voice moves by a semitone, and 2 notes are common to both chords.
| In Esus4 | Moves | In E |
|---|---|---|
| E, the root | stays where it is | E, the root |
| A, the fourth | falls a semitone | G#, the major third |
| B, the fifth | stays where it is | B, the fifth |
In which keys. Every note of Esus4 belongs to C major (the iii), C# minor (the ♭III), D major (the ii), E major (the I), E minor (the i), F# minor (the ♭VII), G major (the vi), A major (the V), A minor (the v) and B minor (the iv).
Every note of Esus4 is in E minor pentatonic, E blues, E major, E mixolydian and E dorian.
Change one note of Esus4 and you have E (the fourth becomes a major third), Em (the fourth becomes a minor third), Esus2 (the fourth becomes a ninth), Esus2sus4 (add the ninth), E5 (drop the fourth) or E7sus4 (add the flat seventh).
Esus4 is a suspended chord — root and fifth, with a second or fourth where the third would be — or nothing at all. Suspended and power chords on every root.
On Esus4’s sound and use this page follows Edward Aldwell & Carl Schachter, Harmony and Voice Leading (Schirmer / Cengage, 4th ed., 2011). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.
Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.